The Other Boleyn Girl (2008 film)
The Other Boleyn Girl is a 2008 historical romantic drama film directed by Justin Chadwick. The screenplay by Peter Morgan was adapted from Philippa Gregory’s 2001 novel of the same name. It is a fictionalised account of the lives of 16th-century English aristocrats Mary Boleyn, mistress of King Henry VIII, and her sister, Anne, who became the monarch's ill-fated second wife. PlotHenry VIII of England's marriage to his brother's widow, Catherine of Aragon, has not produced a male heir. Their only surviving child together is a daughter, Princess Mary, whom Henry fears cannot successfully rule as a woman. Lady Mary Boleyn is wed to Sir William Carey, one of Henry's courtiers. Mary's uncle, Thomas Howard, Duke of Norfolk and her father, Sir Thomas Boleyn, plot to install Mary's older[a] sister, Anne, as Henry's new mistress, hoping that she will be able to bear Henry a son and improve the family's status. Anne accepts. Henry is injured in a hunting accident and becomes smitten with Mary, who tends to his wounds. This grants the Boleyn family a prominent place at court. Mary and Anne become ladies-in-waiting to Queen Catherine while Carey goes abroad as an ambassador. Mary begins an affair with the King and falls in love with him. Anne secretly marries her lover Henry Percy, a nobleman betrothed to Lady Mary Talbot. Anne reveals her marriage to her brother George, who in turn informs Mary. Wanting to protect Anne's reputation, Mary alerts their father and uncle, who forcibly have the union annulled and send Anne to France where she can learn court manners. Mary soon becomes pregnant with Henry's child, and Sir Thomas leverages this to obtain lands and honors for himself and his children. George is soon betrothed to Lady Jane Parker, whom he detests. Mary begins to experience complications and is confined by her physicians to bed. Norfolk recalls Anne to distract Henry from seeking another mistress. Resentful and jealous that Henry initially preferred her sister, a revenge-driven Anne beguiles Henry by refusing his advances. Mary gives birth to her and Henry's son, but Anne persuades Henry that because he cannot wed Mary, the child is illegitimate and unworthy of the throne. Henry then refuses to declare himself the boy's father. Anne continues refusing Henry's advances, and she promises to accept if he no longer beds Catherine and stops speaking to Mary. This infuriates Norfolk until Anne reveals her ambitions to become queen and give Henry a legitimate son and heir. Shortly afterwards, Mary and her child are exiled to the countryside with the returning Carey, who soon dies of illness. Anne pressures Henry to break from the Catholic Church when Pope Clement VII refuses to allow him to divorce from Catherine. Henry learns rumors of Anne's marriage to Percy; Mary is brought back to court but assures Henry that the rumors are false. She decides to stay at Anne's urging. Henry declares himself Supreme Head of the "Church of England", grants his own divorce, and banishes Catherine back to her native Spain. When Anne refuses to consummate their relationship until they are legally married, he, overcome with rage and lust, rapes her. Despite being deeply traumatized by the assault, Anne, now pregnant, marries Henry and is crowned the new queen consort of England. Anne gives birth to a daughter, Elizabeth, named after Henry's mother. Henry, disappointed he still has no male heir, begins to court Jane Seymour, Anne's lady-in-waiting, in secret. Anne is deeply hated by the English people, who publicly denounce her as a witch and temptress, and she begins to develop paranoia as her marriage falls apart. After miscarrying a son, Anne fears for her life and begs George to impregnate her. He agrees but is unable to go through with it. Unbeknownst to them, his wife Jane is spying on them and reports her suspicions to Norfolk and the King. Anne and George are then both arrested on charges of incest, adultery and treason. Despite a lack of evidence, they are both hastily convicted and sentenced to death. Mary is powerless to save George from being beheaded but begs Henry to spare her sister; he seemingly agrees out of kindness for the love they once shared. The sisters reconcile, and Mary agrees to Anne's request that she raise Elizabeth as her own daughter. Before she can return home, Mary receives a secret letter from Henry. He instructs her not to return to court, and that despite his earlier promise, Anne will be executed so that he can lawfully marry Jane Seymour. Mary watches in despair as Anne's head is cut off. An epilogue reveals Sir Thomas died two years after the executions; Norfolk was later disgraced and imprisoned, and the next two generations of the Howard family were also later executed for treason; Mary remarried to William Stafford and spent the remainder of her life living in the country; and Elizabeth went on to rule England for over forty years as Queen Elizabeth I. Cast
ProductionMuch of the filming took place in Kent, England, though Hever Castle was not used, despite being the original household of Thomas Boleyn and family from 1505 to 1539. The Baron's Hall at Penshurst Place featured, as did Dover Castle, which stood in for the Tower of London in the film, and Knole House in Sevenoaks was used in several scenes.[8][9] The home of the Boleyns was represented by Great Chalfield Manor in Wiltshire, and other scenes were filmed at locations in Derbyshire, including Cave Dale, Haddon Hall, Dovedale and North Lees Hall near Hathersage.[10] Dover Castle was transformed into the Tower of London for the execution scenes of George and Anne Boleyn. Knole House was the setting for many of the film's London night scenes and the inner courtyard doubles for the entrance of Whitehall Palace where the grand arrivals and departures were staged. The Tudor Gardens and Baron's Hall at Penshurst Place were transformed into the interiors of Whitehall Palace, including the scenes of Henry's extravagant feast.[8] Historical accuracyHistorian Alex von Tunzelmann criticised The Other Boleyn Girl for its portrayal of the Boleyn family and Henry VIII, citing factual errors. She stated, "In real life, by the time Mary Boleyn started her affair with Henry, she had already enjoyed a passionate liaison with his great rival, King François I of France. Rather ungallantly, François called her 'my hackney', explaining that she was fun to ride. Chucked out of France by his irritated wife, Mary sashayed back to England and casually notched up her second kingly conquest. The film's portrayal of this Boleyn girl as a shy, blushing damsel could hardly be further from the truth."[11] She further criticised the depiction of Anne as a "manipulative vixen" and Henry as "nothing more than a gullible sex addict in wacky shoulder pads".[11] The film presents other historical inaccuracies, such as the statement by a character that, through marrying Henry Percy, Anne Boleyn would become Duchess of Northumberland, a title that was only created in the reign of Henry's son, Edward VI. Also, it places Anne's time in the French court after her involvement with Percy, something that occurred before the affair. On top of that, Anne was portrayed inaccurately as the older sister in the movie, in real life she was Mary's younger sister.[4] In the film, Thomas Boleyn stated Anne was in France for a couple of months. In real life, Anne was in France for seven years. ReleaseTheatricalThe film was first released in theatres on February 29, 2008, though its world premiere took place at the 58th Berlin International Film Festival held on February 7–17, 2008.[12][13] The film earned $9,442,224 in the United Kingdom,[14] and $26,814,957 in the United States and Canada. The combined worldwide gross of the film was $75,598,644,[14] more than double the film's $35 million budget. Home mediaThe film was released in Blu-ray and DVD formats on June 10, 2008. Extras on both editions include an audio commentary with director Justin Chadwick, deleted and extended scenes, character profiles, and featurettes. The Blu-ray version includes BD-Live capability and an additional picture-in-picture track with character descriptions, notes on the original story, and passages from the original book. Soundtrack
Critical receptionThe film received mixed reviews. Rotten Tomatoes reported an approval rating of 43%, based on 148 reviews, with a weighted average of 5.30/10. The site's general consensus is: "Though it features some extravagant and entertaining moments, The Other Boleyn Girl feels more like a soap opera than historical drama."[15] Metacritic reported the film had an average score of 50 out of 100, based on 34 reviews.[16] Manohla Dargis of The New York Times called the film "more slog than romp" and an "oddly plotted and frantically paced pastiche." She added, "The film is both underwritten and overedited. Many of the scenes seem to have been whittled down to the nub, which at times turns it into a succession of wordless gestures and poses. Given the generally risible dialogue, this isn’t a bad thing."[17] Mick LaSalle of the San Francisco Chronicle said, "This in an enjoyable movie with an entertaining angle on a hard-to-resist period of history ... Portman's performance, which shows a range and depth unlike anything she's done before, is the No. 1 element that tips The Other Boleyn Girl in the direction of a recommendation ... [She] won't get the credit she deserves for this, simply because the movie isn't substantial enough to warrant proper attention."[18] Peter Travers of Rolling Stone stated, "The film moves in frustrating herks and jerks. What works is the combustible teaming of Natalie Portman and Scarlett Johansson, who give the Boleyn hotties a tough core of intelligence and wit, swinging the film's sixteenth-century protofeminist issues handily into this one."[19] Peter Bradshaw of The Guardian awarded the film three out of five stars, describing it as a "flashy, silly, undeniably entertaining Tudor romp" and adding, "It is absurd yet enjoyable, and playing fast and loose with English history is a refreshing alternative to slow and tight solemnity; the effect is genial, even mildly subversive ... It is ridiculous, but imagined with humour and gusto: a very diverting gallop through the heritage landscape."[20] Sukhdev Sandhu of The Telegraph said, "This is a film for people who prefer their costume dramas to gallop along at a merry old pace rather than get bogged down in historical detail ... Mining relatively familiar material here, and dramatising highly dubious scenarios, [Peter Morgan] is unable to make the set-pieces seem revelatory or tart ... In the end, The Other Boleyn Girl is more anodyne than it has any right to be. It can't decide whether to be serious or comic. It promises an erotic charge that it never carries off, inducing dismissive laughs from the audience for its soft-focus love scenes soundtracked by swooning violins. It is tasteful but unappetising."[21] Potential sequelProduction studio BBC Films also owns the rights to adapt the 2006 sequel novel, The Boleyn Inheritance, which tells the story of Anne of Cleves, Catherine Howard and Jane Parker.[22] See alsoReferences
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