Their second single, "Don't You Rock Me Daddy-O",[1] produced by Martin, reached number 10 in the UK Singles Chart in early 1957.[2] Although the songwriting credits were given to Whyton,[3] the song is a variant of the folk standard "Sail Away Ladies", as recorded by Uncle Dave Macon in the 1920s. In the same year they released their version of "Maggie May", which was banned from BBC Radio because of its sexual content,[1] despite the group's attempt to minimise the bawdiness of the lyrics.[4]
The group came into direct competition with Lonnie Donegan on the rival Pyelabel, who imitated Whyton's arrangements but had the bigger hits, both with "Don't You Rock Me Daddy-O" and with its follow-up "Cumberland Gap". However, the Vipers' version of the latter song again made the UK Top 10,[1] and was followed by their last chart hit, "Streamline Train".[2] Significantly, Martin later commented that working with the Vipers gave him important experience in working with informally trained (Whyton being a skilled trad jazztrombonist), but enthusiastic group of musicians.[5]
The Vipers Skiffle Group continued to record, and for a time were one of the biggest stage attractions among British groups and were second only to Donegan in terms of their skiffle based success.[3] Whyton and Booker also made an album released in the U.S. called The Original Soho Skiffle Group, a showcase for traditional folk and bluesmusic, with sleeve notes by Nat Hentoff. However, by 1958 the skiffle craze was over,[3] and the Vipers dropped the "Skiffle Group" designation from their name.
As The Vipers, the group at one point added Hank Marvin, Jet Harris and Tony Meehan, who would go on to form The Shadows.[1] However, the group finally disintegrated when their recording contract ran out in 1960. Whyton later moved on to a successful career as a radio and television presenter.[1]