The series recounts the experiences of a number of individuals from these communities as they move through the war in the Pacific, African and European theaters, and focuses on the effect of the war on them, their families and their communities.
The full documentary runs 14 hours and was broadcast in seven parts on PBS over two weeks, starting on Sunday, September 23, 2007 and continuing four nights the first week and three nights the second week, from 8 to 10 p.m. (8 to 10:30 p.m. on three nights). The documentary was provided to PBS affiliates in two versions: One with profanity generally prohibited by FCC regulations (including explanations of the acronyms FUBAR and SNAFU) and one without the expletives.[3]
Episodes
Each episode begins with the introduction:
The Second World War was fought in thousands of places, too many for any one accounting.
This is the story of four American towns and how their citizens experienced that war.
No.
Episode
Original air date
1
"A Necessary War" (December 1941 – December 1942)
September 23, 2007 (2007-09-23)
Introduction to the American entry into World War II. Tells us about the four towns mentioned that Burns selected for its wartime experiences and of the residents of those places. By this time, they have already known of the early initial conflicts of World War II in Europe through newspapers and newsreels, but it was only through the attack on Pearl Harbor that roused an isolationist, unprepared country into mobilizing for war. But setbacks arose: The Philippines fell and with it the internment of Americans at Santo Tomas in Manila and the Bataan Death March. American shipping became easy prey for German U-boats along the American coast and in the Atlantic. But America succeeds in stopping the Japanese advances at Midway and Guadalcanal.
The American mobilization transformed cities like Mobile, Waterbury, and Sacramento into boom towns. Mobile thrived on its extensive shipyards that employed many African-Americans, but racial segregation hampers the war production effort in the United States, resulting in ugly riots like in Mobile. African-Americans, as well as Japanese-Americans, were nevertheless recruited by the armed forces into combat units and sent into action, though African-American units were still segregated. The American public finally gets to see the bloody sacrifice of their armed forces through pictures published in LIFE: one of these is the dead on the shore of Buna. The American offensive in the Central Pacific begins with the Battle of Tarawa. The grueling and costly battles of Anzio and Monte Cassino in the Italian campaign. Eventually, the Allies triumph and General Clark's forces take Rome.
4
"Pride of Our Nation" (June–August 1944)
September 26, 2007 (2007-09-26)
1944: On D-Day, 1.5 million Allied troops embark on the invasion of France, which, after initial setbacks, succeeded. D-Day is followed by the lengthy Battle of Normandy, which ends after three months with the liberation of Paris. The Marines meanwhile fight a costly battle on the island of Saipan in the Western Pacific. These were punctuated by recollections of the participants of the designated towns. The American public, through radio, the press and newsreels, were normally kept informed of the progress of the war. However, as the war progresses, the dreaded War Department casualty telegrams appear at a fast rate.
5
"FUBAR" (September–December 1944)
September 30, 2007 (2007-09-30)
This episode starts with the mistaken Allied assumption that the war in Europe would be over before the winter of 1944. It covers Operation Market Garden; the bloody invasion and battle of Peleliu; the incompetence of General Dahlquist and the rescue of the Lost Battalion by the 442nd during the horrendous Battle of Hürtgen Forest. But there are achievements: General MacArthur returns to the Philippines following the US invasion, much of the Japanese fleet was destroyed at the Battle of Leyte Gulf, the heroism of the Japanese-American 442nd Regimental Combat Team; the thrill of the internees at the Santo Tomas internment camp in Manila in seeing American planes strafing Japanese ships in Manila Bay and the fall of Aachen, the first German city to be captured by the Allies. There are the experiences of African-American servicemen and those of American Indians. But the reality is that the war will not end in 1944, and more ground will have to be covered and lives lost to achieve the ultimate victory.
6
"The Ghost Front" (December 1944 – March 1945)
October 1, 2007 (2007-10-01)
The Germans launch a major surprise offensive in the Ardennes which becomes known as the Battle of the Bulge; the battle develops into the bloodiest of the war for the Americans. The siege of Bastogne and combat stress reaction during the war. The Santo Tomas internment camp is liberated following the Battle of Manila. The Marines assault Iwo Jima. The controversial air war against Japanese and German cities towards the end of the war. The final invasion of Germany and General Patton's attempts to rescue his son-in-law from a German prison camp behind the German lines. There are also insights into the role of medics in combat, pinups and American POWs in Japan. But still, there are newspaper reports of new setbacks and losses, and the endless and unendurable telegrams bearing the bad news from the War Department.
In some countries, notably Australia, Switzerland, Austria, France and Germany, The War was released as a 14-episode series. The region 4 DVD release of The War splits the series into 14 episodes, but notes that it is "a seven-part documentary".
Critical reception
TIME magazine's James Poniewozik named the series one of the Top 10 New TV Series of 2007, ranking it at no. 9.[4] Barry Garron of The Hollywood Reporter called The War an "artful masterpiece" and "[e]ven more ambitious than any previous Burns documentary, including 'The Civil War,'" for its wide-ranging illustration of the impact of World War II on the United States and its citizens.[5] John Leonard of New York magazine also commended the miniseries, stating that though the documentary covers areas of the subject that have already been tackled in other World War II documentaries, "it's the nuanced, retrospective witness that makes the series so affecting, the testimonies of survivors who remember both who it is they used to be and the 408,000 fellow Americans who didn't make it."[6] Brian Lowry, writing for Variety, praised the miniseries as "a major victory for PBS", stating that it is "[a] monumental undertaking filled with moments of tremendous poignancy", though he noted that "The most significant quibble here is structural.... just when some stories begin to get interesting, that character is left, only to be returned to hours (and given the broadcast pattern, nights) later."[7]
Robert Koehler, another critic for Variety, found fault in the miniseries focusing mainly on the United States' role in World War II, emphasizing that it was unable to explore the various other conflicts in the war in depth such as the Japanese invasion of East and Southeast Asia and Operation Barbarossa.[8]Alessandra Stanley, writing for the New York Times, gave the series a mixed review, praising it as a "respectful, moving and meticulously illustrated anthology of small-town lives turned upside down by what one elderly veteran calls 'a necessary war,'" while also faulting it for "view[ing] the Second World War as a mostly domestic concern" in which "the London blitz, Stalingrad, Bergen-Belsen and the Warsaw uprising are parentheses."[9]Slate's Beverly Gage echoed these thoughts saying "it's rousing and meaningful and not technically inaccurate, but not exactly the whole truth."[10] Jonathan Storm of The Philadelphia Inquirer wrote, "Once-in-a-lifetime viewing."[11]
The War came under fire after previews during the editing process indicated no mention of the contributions of Hispanics to the war effort, whose representation in the war itself is estimated at up to half a million people; complaints followed later as to omissions of Hispanic and Native American contributions and those of women in uniform.[13][14][15] Originally the premiere was scheduled for September 16, 2007; the fact that this date is both Mexican Independence Day and the start of U.S. observance of National Hispanic Heritage Month drew additional fire from its detractors, and the initial airdate was later moved to September 23, 2007, with no comment from PBS.[16]
Although at first the dispute seemed to be settled with the inclusion of additional footage to address the omission, in subsequent weeks, groups began to question conflicting reports from Burns and PBS as to whether the additional footage would be provided as supplementary material or would be integrated into the overall program.[17][18][19] Burns initially insisted that re-editing the series was out of the question, with PBS defending that decision on the basis of artistic freedom. Over the months of May and June, as of mid-July, 2007, estimates put out by Burns suggested that additional footage showing interviews with two Hispanics and one Native American would be added to the series, for a total of 28 minutes additional footage to the 14 hours the program was originally planned to cover; the additional footage would air at the conclusion of the selected episodes, but before each episode's final credits.[20]
News outlets began to report as of July 11 that the additional content had not been included in materials made available for preview by television writers and critics, prompting renewed discussion and speculation as to the eventual outcome of the debate.
^Farhi, Paul (2007-04-18). "Ken Burns Agrees To Expand Documentary: Inclusion of Minority WWII Service Members Follows Latino Protests". The Washington Post. p. C-1.
