User:Namelessposter
I like editing Formula One pages, although I often find myself editing pages about movies. Some contributions are listed below.
About Me
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What I'm working on
- Sandbox: Number one driver (motor racing concept)
- Sandbox2: General testing
- Sandbox3: Nothing in particular
- Sandbox4: Formula One driver page protections
Formula One
Created
Substantially rewrote
- Prost–Senna rivalry
- Senna (miniseries)
- George Russell
- Nicholas Latifi
Mario Andretti—Saved from incoming WP:GAR on January 30, 2025 (diff)- Team Enstone
- Flavio Briatore
- Toleman
- Jaguar Racing—F1 section
Edited
- Ayrton Senna—personal life, racing legacy, cultural legacy, career summary post-1989
- Cadillac in Formula One—genesis and ownership
- Grand Prix Drivers' Association—improved referencing overall, general fixes
- Formula One drivers from the United States—table of frequent participants, explanation of Indy 500
Films
I think film plot summaries should cover key themes and character arcs, not just details. My rule of thumb is that if a fact is implied, it goes in the synopsis, like Diary of a Country Priest; a minimalist like Robert Bresson is nearly incomprehensible unless you affirmatively make certain connections. If it's subtext or allusive, it goes in the analysis/themes section, like Pickpocket or Megalopolis. Obviously, this is a grey area and reasonable people can disagree. I find that using efn footnotes helps bridge the gap.
Major contributions
- Diary of a Country Priest (1951)—synopsis, screenplay, themes, awards, reception
- Four Nights of a Dreamer (1971)—synopsis, production, reception, distribution
- Amadeus (1984)—synopsis, historicity, director's cut

Twin Peaks: Fire Walk with Me (1992)—synopsis, production, themes, reception, reappraisal, Twin Peaks: The Missing Pieces- Uncut Gems (2019)—synopsis, production, reception
- Megalopolis (2024)—synopsis, themes
Multiple contributions
- Pickpocket (1959)—synopsis, themes
- The Taking of Power by Louis XIV (1966)—synopsis, production, themes
- The Gospel According to Matthew (1964)—synopsis, production, style
- Mirror (1975)—synopsis, editing style, release, reception
- Anora (2024)—synopsis, production
- Conclave (2024)—synopsis, reception
- Oh, Canada (2024)—synopsis, production
- The Phoenician Scheme (2025)—synopsis, production
- The Mastermind (2025)—synopsis, production
Wrote or revised synopses
- It Happened One Night (1934)
- Brief Encounter (1945)
- Black Narcissus (1947)
- The Red Shoes (1948)
- The Crucified Lovers (1954)
- L'Avventura (1960)
- Lawrence of Arabia (1962)
- Il Sorpasso (1962)
- Woman in the Dunes (1964)
- The Long Goodbye (1973)
- Days of Heaven (1978)
- The Marriage of Maria Braun (1979)
- Stalker (1979)
- The Elephant Man (1980)
- Metropolitan (1990)
- The Age of Innocence (1993)
- River of Grass (1994)
- The Straight Story (1999)
- Hannibal (2001)
- Goodbye, Dragon Inn (2003)
- Inland Empire (2006)
- The Tree of Life (2011)
- Moneyball (2011)
- Frances Ha (2012)
- Lady Bird (2017)
- Dìdi (2024)
- Juror No. 2 (2024)
- Gladiator II (2024)
- Nickel Boys (2024)
- Presence (2024)
- Sinners (2025)
- F1 (2025)
- Sentimental Value (2025)
- The Devil Wears Prada 2 (2026)
Other contributions
Other
- Adam Dunn
- Fernando Valenzuela
Luka Dončić–Anthony Davis trade- Adrian Wojnarowski
- Henry Chauncey
- Phonogram

The Rector of Justin
Dixwell School- Stories of Flannery O'Connor
General principles
I generally subscribe to the ideas articulated in the following essays:
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