Viktoria (Bulgarian: Виктория) is a 2014 Bulgarian-Romanian drama film written, directed and produced by Maya Vitkova.[1][2] The film premiered in-competition in the World Cinema Dramatic Competition at 2014 Sundance Film Festival on January 19, 2014.[3][4]
On 10 November, 1979 - 10 years before the collapse of Communism in Europe, Boryana is determined not to give birth to a child in Communist Bulgaria. The only thing Boryana longs for is to escape to the West. But despite her attempt to protect herself from unwanted pregnancy, her baby survives... Unwanted, Viktoria is born with no umbilical cord to connect her to her mother and thus proclaimed "the baby of the decade". Viktoria becomes a symbol of Communist Bulgaria. While growing up, she dominates her environment and is at subconscious war with her mother - the one who didn't want her. But on 10 November, 1989, when the political situation collapses, turning Viktoria's life upside down, the hardships of the new time bind her and her mother together.
Viktoria received mostly positive reviews upon its premiere at the 2014 Sundance Film Festival. Dennis Harvey of Variety said in his review that "“Viktoria’s” first hundred minutes or so offer an arresting mix of satire, surrealism and ambivalently angsty drama, with the helmer in precocious full command of pacing, tone and aesthetics."[9] Boyd van Hoeij in his review for The Hollywood Reporter called it "A striking first film about a young child without a belly button that explores the relationship of Bulgarians with their country, history and families."[10]
Emma Myers of Indiewire graded the film B+ and praised the performances of Chichikova and Kalina Vitkova by saying that "Kalina Vitkova, whose big brown eyes communicate a great deal of pain and longing. But it's Irmena Chichikova as Boryana who steals the screen. With deep set eyes and razor sharp cheek bones that recall Charlotte Rampling in her heyday, she’s not only striking to look at but subtly expressive. Though she puts on a stoic front, her final scene hints at the deep and invisible motivations of her character."[11]
