Share to: share facebook share twitter share wa share telegram print page

Voices of the City

Voices of the City
Film still published in Photoplay
Directed byWallace Worsley
Written byArthur F. Statter
Story byLeroy Scott
StarringLon Chaney
Leatrice Joy
Distributed byGoldwyn Pictures
Release date
  • December 1921 (1921-12)
Running time
60 minutes
CountryUnited States
LanguageSilent (English intertitles)
Budget$200,000[1]

Voices of the City (also known as The Night Rose, its intended original release title) is a 1921 American silent crime drama film starring Leatrice Joy and Lon Chaney that was directed by Wallace Worsley, based on the Leroy Scott novel The Night Rose.[2] The film took more than 9 months to be released due to a controversy[clarification needed] over the proposed title and the film's abundance of gunplay. The film was retitled Voices of the City and was only released in December 1921, although it had been completed in early March. The film is still listed under The Night Rose in some reference sources.[2]

The ball sequence involved 300 couples and took five days to film.[3] It is considered a lost film today.[4] A still exists showing Chaney as the gangster, Red O'Rourke.[5]

Plot

While at the seedy Blue Jay cafe in San Francisco with her sweetheart Jimmy Halloran (Cullen Landis), Georgia Rodman (Leatrice Joy) is a witness to the murder of a policeman by Red O'Rourke's gang. Georgia and Jimmy are regarded as accessories to the slaying and begin looking for them to question them. Georgia's mother throws her out of her house for consorting with lowlifes. Offering to hide the couple, Red O'Rourke (Lon Chaney) actually plans to kill Jimmy so he can't testify against him. O'Rourke tells Georgia the police are looking for her so that she remains hidden during the day. She becomes known as the "Night Rose" because she only comes out at night, wearing a veil.

Advertisement

O'Rourke's girlfriend Sally Monroe (Schade) becomes jealous when she learns that O'Rourke is trying to convince Georgia to marry him. She tells Georgia that O'Rourke is treacherous and plotting to kill Jimmy at a local ball organized by O'Rourke, where he intends to marry Georgia. Jimmy is tricked into going to Black Mike's Cafe, where one of O'Rourke's men shoots him. Believing Jimmy to be dead, Georgia decides to seek vengeance.

Georgia pulls a gun on O'Rourke at the ball while they are dancing. Just as she is about to shoot him, Sally grabs the pistol out of her hand and fires the fatal shot. Georgia's mother forgives her and welcomes her back, and upon her return, Georgia finds Jimmy recovering at her mother's home.[6]

Cast

Controversial Release

In 1921 when The Night Rose was released, many American cities and states had enacted their own film censorship laws. Because of its crime plot, The Night Rose was subjected to censorship, and was the first film rejected in whole by the recently created New York State Motion Picture Commission[7] which it condemned "as highly immoral and of such character that its exhibition would not only tend to corrupt morals, but to incite crime."[8] Goldwyn appealed the decision to New York state court, which upheld the commission's decision on November 18, 1921.[1] Goldwyn then came to an agreement with the state commission to edit the film, which removed many of Lon Chaney's scenes and inexplicably changed the name of his character from Red O'Rourke to Duke McGee.[9][7] The film was finally released in December 1921 under the title Voices of the City.[9]

Critiques

"Interesting underworld melodrama with intricate plotting and counter-plotting by a master criminal and an abundance of gun play...Lon Chaney, as always, gets the utmost out of the role of a powerful leader of lawbreakers. He has a gift for quiet emphasis in pantomime which fits nicely into this lurid tale." ---Variety[10]

"It is not a particularly convincing sort of story and the continuity is rather ragged in spots. Lon Chaney plays his part of the gang chief with his usual energy and ability to invest such roles with a species of sinister fascination." ---Exhibitors Trade Review

"With some changes in the subtitles and the necessary cuts, plus a new main title, the picture is being shown at the Capitol. Through the process (of censorship), the story has become somewhat disjointed and illogical as well as hard to follow. Lon Chaney has done much better things than this." ---Film Daily[11]

References

  1. ^ a b "Appeal from Censor's Decision Denied". Variety. New York City: Variety, Inc. November 25, 1921. p. 1. Retrieved June 10, 2017.
  2. ^ a b "Silent Era : Progressive Silent Film List".
  3. ^ Blake, Michael F. (1998). "The Films of Lon Chaney". Vestal Press Inc. Page 118. ISBN 1-879511-26-6.
  4. ^ Blake, Michael F. (1997). A Thousand Faces: Lon Chaney's Unique Artistry in Motion Pictures. Vestal Press. p. 68. ISBN 1-461-73076-7.
  5. ^ "Voices of the City (1922)".
  6. ^ "Reviews: The Night Rose". Exhibitors Herald. 14 (7). New York City: Exhibitors Herald Company: 63. February 11, 1922.
  7. ^ a b Anderson, Mark (2007). "Tempting Fate: Clara Smith Hamon, or, the Secretary as Producer". In Lewis, Jon; Smoodin, Eric (eds.). Looking Past the Screen: Case Studies in American Film History and Method. Duke University Press. p. 148, note 62. ISBN 978-0-8223-9013-8.
  8. ^ "Goldwyn Demands Court See Feature: Object to Censors Throwing Out The Night Rose". Variety. New York City: Variety, Inc. November 4, 1921. p. 1. Retrieved June 10, 2017.
  9. ^ a b Progressive Silent Film List: Voices of the City (aka The Night Rose, the film's original title) at silentera.com
  10. ^ "Voices of the City (1922)".
  11. ^ Blake, Michael F. (1998). "The Films of Lon Chaney". Vestal Press Inc. Page 116. ISBN 1-879511-26-6.
Kembali kehalaman sebelumnya