The six-part first series was first broadcast on BBC Two in January 2015 and documented the rapid rise to power of Thomas Cromwell in the court of Henry VIII through to the death of Sir Thomas More, followed by Cromwell's success in freeing the king of his marriage to Anne Boleyn. It was first broadcast abroad in April 2015 in the United States on PBS and in Australia on BBC First. The first series was a critical success and received eight nominations at the 67th Primetime Emmy Awards and three nominations at the 73rd Golden Globe Awards, winning for Best Miniseries or Television Film.
The series centres on the character of Thomas Cromwell, a lawyer who has risen from humble beginnings. The action in Series 1 opens at a point in Cromwell's career where his master, Cardinal Thomas Wolsey, is about to fall from power because of his failure to secure a marriage annulment for King Henry VIII of England.[5] It proceeds through Cromwell's own rise to political power, and ends with the execution of Anne Boleyn.[6] Series 2 picks up after Anne's execution, following Cromwell's continued rise and Henry's marriage to his third and fourth queens, Jane Seymour and Anne of Cleves, the latter of which will ultimately lead to Cromwell’s fall from power and execution.
On 23 August 2012, BBC Two announced several new commissions, one of which was Wolf Hall.[13] According to The Guardian£7 million was to be spent on the adaptation.[14] BBC Two controller Janice Hadlow said it was "very fortunate to have the rights" to the two novels and called Wolf Hall "a great contemporary novel".[15][16]
Peter Kosminsky, the director of the series, said: "This is a first for me. But it is an intensely political piece. It is about the politics of despotism, and how you function around an absolute ruler. I have a sense that Hilary Mantel wanted that immediacy. ... When I saw Peter Straughan's script, only a first draft, I couldn't believe what I was reading. It was the best draft I had ever seen. He had managed to distil 1,000 pages of the novels into six hours, using prose so sensitively. He's a theatre writer by trade."[14]
The Guardian speculated that the BBC's hiring of Kosminsky with Straughan showed they wanted "a darker and grittier take on British history" than more fanciful programmes such as The Tudors or The White Queen.[14] Mantel called Straughan's scripts a "miracle of elegant compression and I believe with such a strong team the original material can only be enhanced".[14]
Kosminsky determined to undertake much of the interior filming by candlelight, this led some of the actors to collide with the scenery and to be concerned by the risk of fires.[22]Wolf Hall was filmed in two locations in Kent: Dover Castle doubled for the Tower of London, and the Long Gallery, Tapestry Room, and Queen Elizabeth Room at Penshurst Place were used as specific rooms in Whitehall (York Place), which was Anne Boleyn and Henry VIII's residence. The Long Gallery doubled as Anne Boleyn's chamber.[23] Some scenes were filmed at Stanway House in Gloucestershire.[24]
The series' executive producer, Colin Callender, stated in February 2015 that he hoped that the BBC would commission an extension of the series based on the final novel in Mantel's trilogy, The Mirror & the Light, which was published in 2020.[25] Callender said that lead performers Mark Rylance and Damian Lewis were "eager" to return.[25]
A second series of Wolf Hall was confirmed on 27 May 2019,[26] officially announced as Wolf Hall: The Mirror and the Light, and began filming on 24 November 2023 with Mark Rylance, Thomas Brodie-Sangster, Damian Lewis, Jonathan Pryce, Kate Phillips and Lilit Lesser all reprising their roles from the previous series.
On 4 April 2024 the BBC announced that filming of the second series had been completed,[27] and revealed details of several roles that had been recast, including: Timothy Spall as the Duke of Norfolk (replacing Bernard Hill), Harriet Walter as Lady Margaret Pole (replacing Janet Henfrey), and Harry Melling as Thomas Wriothesley (replacing Joel MacCormack).[28]
In 1529, as Cardinal Wolsey receives news of his dismissal as Lord Chancellor, his lawyer Thomas Cromwell reminisces about how he and Wolsey met and the events leading up to the Cardinal's downfall.
As 1529 draws to a close, Cardinal Wolsey moves to York while Thomas Cromwell attempts to gain support for him from King Henry VIII and Anne Boleyn and, in the process, gradually wins favour for himself.
In 1531, King Henry VIII has proposed a bill which will make him the head of the Church in England and allow him to marry Anne Boleyn. However, his plans are met with a series of complications.
In 1533, Anne Boleyn has given birth to a daughter, much to King Henry VIII's disdain. As Anne's paranoia over her inability to produce a son grows, Thomas Cromwell tries to convince Sir Thomas More to show approval for the royal marriage.
In 1535, King Henry VIII's becoming head of the Church in England has antagonised the Holy Roman Emperor. Meanwhile, Anne Boleyn's failure to produce a male heir leads Henry toward Jane Seymour.
The Exeter Conspiracy is in the works. In 1536, King Henry VIII's request that Thomas Cromwell find a way to rid him of Anne Boleyn—a sentiment supported by others who wish for Jane Seymour to take her place—leads to a series of allegations and revelations.
Critics have been "almost unanimous" in their praise of the series, with particular reference to the attention to period detail, the faithful adaptation of the source novels, Kosminsky's direction, and the performances of the leading cast members, particularly Rylance as Cromwell and Foy as Boleyn.[31] Review aggregator Rotten Tomatoes gave the show a 98% rating based on 53 reviews with an average rating of 8.4/10. The website's critical consensus states, "Beautifully filmed and brilliantly acted, Wolf Hall masterfully brings Hilary Mantel's award-winning novels to life."[32] Sam Wollaston in The Guardian called it "sumptuous, intelligent, event television."[33] Will Dean in The Independent felt that it did not compare favourably with the stage adaptation of the book, yet he predicted that it would "secure a devoted following."[34] James Walton in The Daily Telegraph gave the first episode five stars out of five, commenting: "it’s hard to see how this one could have been done much better."[35] Mick Adam Noya from the television review show Channel Crossing called Wolf Hall "the best show of 2015".[36]
A few dissenting voices found some flaws. The Daily Telegraph alleged that there was a substantial drop in ratings between the first and second episodes, despite all the following episodes holding high and consistent ratings.[37]Simon Schama stated concerns about how the series depicted historical figures.[38]Emily Nussbaum of The New Yorker cited "small weaknesses", but wrote "the show’s deliberately paced six hours turn out to be riveting, precisely because they are committed, without apology or, often, much explanation, to the esotericism of their subject matter."[39] Sophie Gilbert of The Atlantic wrote, "Magnificent...a tour de force."[40]
The lighting design, which used historically accurate natural light sources (such as candlelight for evening scenes) prompted criticism from viewers who felt parts of the series appeared too dark.[41]
International broadcast
Australia: BBC First premiered the series on 11 April 2015[42] and it was watched by 46,000 viewers.[43]
United States: PBS broadcast the series on Masterpiece from 5 April 2015 to 10 May 2015.[44] The series was subsequently licensed to Amazon Prime.[45]
Germany / France: Arte broadcast the series on 21 and 28 January 2016.[46][47]
