Image |
Title |
Year |
Artist |
Technique |
Dimensions (cm) |
Gallery
|
|
The Storm |
1897 |
Walter Withers |
oil on canvas on hardboard |
119.8 x 179.5 |
Art Gallery of New South Wales
|
|
The last gleam |
1898 |
W. Lister Lister |
oil on canvas |
183 x 274.5 |
|
|
Across the black soil plains |
1899 |
George Washington Lambert |
oil on canvas |
91.6 x 305.5 |
Art Gallery of New South Wales
|
|
Still Autumn |
1900 |
Walter Withers |
|
|
|
|
Thunderstorm on the Darling |
1901 |
William Piguenit |
|
|
|
|
In Defence of the Flat |
1902 |
James White |
|
|
|
|
Glenora |
1903 |
Edward Officer |
|
|
|
|
Mystic Morn |
1904 |
Hans Heysen |
|
|
|
|
A Blaze of Blue Noon |
1905 |
Albert J. Hanson |
watercolour |
|
|
|
The Golden Splendour of the Bush |
1906 |
W. Lister Lister |
oil on canvas |
239.8 x 190.5 |
Art Gallery of New South Wales
|
|
Portrait, H. Garlick, Esq. |
1907 |
G. W. L. Hirst |
|
|
|
|
Noontide, Burnside |
1908 |
Will Ashton |
|
|
|
|
Summer |
1909 |
Hans Heysen |
watercolour |
|
Art Gallery of New South Wales
|
|
Mid Song of Birds and Insects Murmuring |
1910 |
W. Lister Lister |
|
|
|
|
Hauling Timber |
1911 |
Hans Heysen |
oil on canvas |
102.0 x 135.0 |
Art Gallery of New South Wales
|
|
Sydney Harbour, Overlooking Taylors Bay |
1912 |
W. Lister Lister |
|
|
|
|
Federal Capital Site |
1913 |
W. Lister Lister |
oil on canvas |
159.0 x 284.0 |
Historical Memorials Collection
|
|
Landscape |
1914 |
Penleigh Boyd |
|
|
|
|
Knowledge, Fine Art and Commerce |
1915 |
John Christie Wright |
|
|
|
|
Morning Light |
1916 |
Elioth Gruner |
oil on canvas on cardboard |
51.7 x 56.9 |
Art Gallery of New South Wales
|
|
The Wind-swept Marsh Lands |
1917 |
W. Lister Lister |
|
|
|
|
The Grey Road |
1918 |
W. B. McInnes |
oil on canvas |
123.2 x 154.6 |
Art Gallery of New South Wales
|
|
Spring Frost |
1919 |
Elioth Gruner |
oil on canvas |
157.5 x 206.3 |
Art Gallery of New South Wales
|
|
The Toilers |
1920 |
Hans Heysen |
watercolour on paper |
73.0 x 86.0 |
Art Gallery of South Australia
|
|
Valley of the Tweed |
1921 |
Elioth Gruner |
oil on canvas |
142.2 x 172.7 |
Art Gallery of New South Wales
|
|
The Quarry |
1922 |
Hans Heysen |
watercolour |
51.0 x 66.7 |
Art Gallery of New South Wales
|
|
Head of an Old Man |
1923 |
G. W. L. Hirst |
|
|
|
|
An Afternoon in Autumn |
1924 |
Hans Heysen |
|
|
|
|
A Bush Track |
1925 |
W. Lister Lister |
|
|
|
|
The Farmyard, Frosty Morning |
1926 |
Hans Heysen |
|
|
|
|
Head |
1927 |
Rayner Hoff |
|
|
|
|
Afternoon Light, Goulburn Valley |
1928 |
Arthur Streeton |
oil on canvas mounted on composition board |
51.0 x 76.0 |
National Gallery of Australia
|
|
On the Murrumbidgee |
1929 |
Elioth Gruner |
oil on canvas |
101.6 x 123.2 |
Art Gallery of New South Wales
|
|
Kosciusko |
1930 |
Will Ashton |
|
|
|
|
Red Gums of the Far North |
1931 |
Hans Heysen |
|
|
|
|
Brachina Gorge |
1932 |
Hans Heysen |
|
|
|
|
Youth |
1933 |
Lyndon Dadswell |
sculpture |
|
Art Gallery of NSW
|
|
Murrumbidgee Ranges, Canberra |
1934 |
Elioth Gruner |
oil on canvas |
51.6 x 89.0 |
National Gallery of Australia
|
|
Winter Morning |
1935 |
James Muir Auld |
oil on canvas on paperboard |
41.3 x 46.3 |
Art Gallery of New South Wales
|
|
Landscape |
1936 |
Elioth Gruner |
|
|
|
|
Weetangera, Canberra |
1937 |
Elioth Gruner |
oil on canvas on cardboard |
88 x 100.9 |
Art Gallery of New South Wales
|
|
The Approaching Storm |
1938 |
Sydney Long |
|
|
|
|
Morning Light, Middle Harbour |
1939 |
Will Ashton |
|
|
|
|
The Lake, Narrabeen |
1940 |
Sydney Long |
|
|
|
|
Valley Farms |
1941 |
Lorna Muir Nimmo |
|
|
|
|
Backyards |
1942 |
Douglas Watson |
|
|
|
|
The Hilltop |
1943 |
Douglas Dundas |
|
|
|
|
McElhone Stairs |
1944 |
Sali Herman |
|
|
|
|
Old Grain Stores, Greenaugh, W. A. |
1945 |
Douglas Watson |
|
|
|
|
January Weather |
1946 |
Lance Solomon |
|
|
|
|
Sofala |
1947 |
Russell Drysdale |
oil on canvas on hardboard |
71.7 × 93.1 |
Art Gallery of New South Wales
|
|
Storm Approaching Wangi |
1948 |
William Dobell |
oil on cardboard on composition board |
32.5 × 55.5 |
|
|
Two Rivers |
1949 |
George Lawrence |
|
|
|
|
The Harbour from McMahon's Point |
1950 |
Lloyd Rees |
|
|
|
|
Never Never Creek, Gleniffer |
1951 |
Charles Meere |
|
|
|
|
Summer at Kanmantoo |
1952 |
Charles Bush |
|
|
|
|
The River Bend |
1953 |
Lance Solomon |
|
|
|
|
Cooktown |
1954 |
Arthur Evan Reed |
|
|
|
|
Townsville Waterfront |
1955 |
Charles Bush |
|
|
|
|
The Chicory Kiln, Phillip Island |
1956 |
L. Scott Pendlebury |
|
|
|
|
Constitution Dock, Hobart |
1957 |
L. Scott Pendlebury |
|
|
|
|
The Cliff |
1958 |
Ronald Steuart |
|
|
|
|
Harbour Cruise |
1959 |
Reinis Zusters |
|
|
|
|
Dairy Farm, Victoria |
1960 |
John Perceval |
|
|
|
|
Landscape, Hill End |
1961 |
David Strachan |
|
|
|
|
The Devil's Bridge, Rottnest |
1962 |
Sali Herman |
|
|
|
|
Sandhills on the Darling |
1963 |
Sam Fullbrook |
|
|
|
|
Trees in a Landscape |
1964 |
Sam Fullbrook (joint winner) |
|
|
|
|
Landscape |
1964 |
David Strachan (joint winner) |
|
|
|
|
The Red House |
1965 |
Sali Herman |
|
|
|
|
Upwey Landscape V |
1966 |
Fred Williams |
|
|
|
|
Ravenswood I |
1967 |
Sali Herman |
|
|
|
|
Road to Whistlewood |
1968 |
L. Scott Pendlebury |
|
|
|
|
The Chasing Bird Landscape |
1969 |
John Olsen |
|
|
|
|
Redfern, Southern Portal |
1970 |
Frederic Henry Bates |
|
|
|
|
Karri Country |
1971 |
Margaret Woodward |
|
|
|
|
Falling Bark |
1972 |
Eric Smith |
|
|
|
|
Dry Landscape |
1973 |
Clem Millward |
|
|
|
|
Redfern Landscape |
1974 |
Eric Smith |
|
|
|
|
Murchison Sand Plain |
1975 |
Robert Juniper |
|
|
|
|
Mt Kosciusko |
1976 |
Fred Williams |
|
|
|
|
The Jacaranda Tree (On Sydney Harbour) |
1977 |
Brett Whiteley |
|
|
|
|
Summer at Carcoar |
1978 |
Brett Whiteley |
|
|
|
|
Flood Creek |
1979 |
Robert Juniper |
|
|
|
|
A Waterfall (Strath Creek) |
1980 |
William Delafield Cook |
|
|
|
|
Hills of Ravensdale |
1981 |
David Voight |
|
|
|
|
Morning on the Derwent |
1982 |
Lloyd Rees |
|
|
|
|
Life Along the Coast |
1983 |
David Rankin |
|
|
|
|
The South Coast After Rain |
1984 |
Brett Whiteley |
|
|
|
|
The Road to Clarendon, Autumn |
1985 |
John Olsen |
|
|
|
|
Torso |
1986 |
Rosemary Madigan |
|
|
|
|
Landscape Painting II |
1987 |
Ian Bettinson |
|
|
|
|
Fire and Drought near Old Junee |
1988 |
Elwyn Lynn |
|
|
|
|
Landscape Painting IV |
1989 |
Ian Bettinson |
|
|
|
|
The Rainforest |
1990 |
William Robinson |
|
|
|
|
Maschera Femina |
1991–92 |
Peter Schipperheyn |
|
|
|
|
Open Cut |
1993 |
George Gittoes |
|
|
|
|
Waratahs Wedderburn Series |
1994 |
Suzanne Archer |
|
|
|
|
Season of Drought |
1995 |
David Aspden |
|
|
|
|
Creation Landscape Earth and Sea |
1996 |
William Robinson |
|
|
|
|
Nandi Moon |
1997 |
John Peart |
|
|
|
|
Yellow Sound |
1998 |
Ann Thomson |
|
|
|
|
Leaves |
1999 |
Gloria Tammere Petyarre |
|
|
|
|
Thong Totems |
2000 |
John Dahlsen |
|
|
|
|
Piatra |
2001 |
Aida Tomescu |
|
|
|
|
Remembering Rain |
2002 |
Angus Nivison |
|
|
|
|
Seated Figure |
2003 |
Tim Kyle |
|
|
|
|
Untitled |
2004 |
George Ward Tjungurrayi |
|
|
|
|
The Road to Utopia |
2005 |
Jenny Sages |
|
|
|
|
The Gap |
2006 |
John Beard |
|
|
|
|
Winter Nocturne IV |
2007 |
Philip Wolfhagen |
|
|
|
|
The River is Calm |
2008 |
Joanne Currie Nalingu |
|
|
|
|
The Amorphous Ones (The Vast Colony of Our Being) |
2009 |
Lionel Bawden |
|
|
|
|
Proposal for Landscaped Cosmos |
2010 |
Sam Leach |
oil and resin on wood |
30 × 30 |
|
|
Co-Isolated Slave |
2011 |
Richard J. Goodwin |
|
|
|
|
Waterfall (After Williams) |
2012 |
Imants Tillers |
|
|
|
|
Namatjira |
2013 |
Imants Tillers |
|
|
|
|
Oceania High Low |
2014 |
Michael Johnson |
|
|
|
|
Biophilia |
2015 |
Natasha Bieniek |
|
|
|
|
Seven Sisters |
2016 |
Ken Family Collaborative |
|
|
|
|
Antara |
2017 |
Betty Kuntiwa Pumani |
acrylic on linen
|
250 x 200
|
|
|
Untitled |
2018 |
Yukultji Napangati |
acrylic on linen |
244.5 x 183 |
|
|
Seven sisters |
2019 |
Sylvia Ken |
acrylic on linen |
200 x 240 |
|
|
Tjoritja |
2020 |
Hubert Pareroultja |
acrylic on canvas |
183 x 244 |
|
|
Garak – night sky
|
2021
|
Nyapanyapa Yunupingu
|
earth pigments on board
|
244.2 x 244.2
|
|
|
Eora
|
2022
|
Nicholas Hardling
|
oil on linen
|
196.5 x 374.8
|
[5]
|
|
Inma
|
2023
|
Zaachariaha Fielding
|
acrylic on linen
|
198.5 x 306.2
|
[6]
|
|
Nyalala gurmilili
|
2024
|
Djakaŋu Yunupiŋu
|
natural pigments on bark
|
263 x 154
|
[7]
|