The port of Yokohama was opened to foreigners in 1859, and ukiyo-e artists, primarily of the Utagawa school, produced more than 800 different woodblock prints in response to a general curiosity about these strangers. The production of yokohama-e ceased in the 1880s.
Newland, Amy Reigle. (2005). Hotei Encyclopedia of Japanese Woodblock Prints, Amsterdam, Hotei. ISBN9789074822657; OCLC 61666175
Philadelphia Museum of Art, Foreigners in Japan, Yokohama and Related Woodcuts in the Philadelphia Museum of Art, Philadelphia, Philadelphia Museum of Art, 1972.
Rijksmuseum, The Age of Yoshitoshi, Japanese Prints from the Meiji and Taishō periods, Nagasaki, Yokohama, and Kamigata prints, Amsterdam, Rijksmuseum, 1990.
Yonemura, Ann, Yokohama, Prints from Nineteenth-century Japan, Washington, D.C., Arthur M. Sackler Gallery, 1990.