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Arthur Stewart Farmer, dit “Art” Farmer (1928-1999) est un trompettiste de jazz américain. Il a aussi joué du bugle et de la « flumpet », un instrument hybride entre la trompette et le bugle fabriqué pour lui par David Monette (en)[1].
Biographie
Art Farmer grandit à Phoenix en Arizona et apprend d'abord le violon et le piano. À 15 ans, il commence à jouer de la trompette dans un orchestre de bal. Il part ensuite avec son frère Addison à Los Angeles, découvre alors le jazz et joue avec Benny Carter, Gerald Wilson et Dexter Gordon.
En 1953, il déménage à New York et joue dans l'orchestre de Lionel Hampton mais aussi avec Clifford Brown, Lester Young, Quincy Jones et Gigi Gryce puis, plus tard, avec Coleman Hawkins, Thelonious Monk, Charles Mingus, Art Blakey, Hank Mobley, Sonny Clark, Clifford Jordan et, enfin, dans le Quartet de Gerry Mulligan. Il explore alors des voies expérimentales avec Teddy Charles, Teo Macero et George Russell.
Dans les années 1960, il acquiert une renommée légendaire avec « The Jazztet », combo formé avec le saxophoniste Benny Golson et le tromboniste Curtis Fuller.
En 1982, il reforme The Jazztet avec ses anciens complices, gravant pour l'occasion quatre disques sous le nom du groupe.
Art Farmer fait des tournées pendant plusieurs années dans toute l'Europe et s'installe finalement en Autriche en 1994. Il y joue avec l'orchestre de la radio autrichienne (Österreichisches Rundfunkorchester). Parallèlement au jazz, il intervient aussi comme trompettiste de musique classique, par exemple comme soliste dans le 2e (des 6 concertos, le seul à la « petite » trompette solo) des Concertos brandebourgeois de Jean-Sébastien Bach, ou le concerto pour trompette de Joseph Haydn.
Parmi ses partenaires, on peut citer Gerry Mulligan,Slide Hampton, Ron Carter, Jerome Richardson, Wynton Marsalis, Geoff Keezer (en), Jim Hall et Lewis Nash.
Il a beaucoup enregistré sous son nom vers la fin de sa carrière.
Famille
Son frère jumeau, Addison Farmer (en), mort en 1963, était un bassiste renommé.
Discographie
En tant que leader
| Année
|
Titre
|
Label
|
Notes
|
| 1953–54
|
The Art Farmer Septet
|
Prestige
|
Inclus les débuts de Farmer enregistrées comme leader
|
| 1954
|
Early Art
|
Prestige
|
Avec deux groupes: first featuring Sonny Rollins (tenor sax) and Horace Silver (piano) ; second featuring Wynton Kelly (piano)
|
| 1954–55
|
When Farmer Met Gryce
|
Prestige
|
Avec Gigi Gryce (alto sax) and two bands: first with Horace Silver (piano), Percy Heath (bass), Kenny Clarke (drums) ; second with Freddie Redd (piano) Addison Farmer (bass) Art Taylor (drums)
|
| 1955
|
Art Farmer Quintet featuring Gigi Gryce
|
Prestige
|
Avec Gigi Gryce (alto sax) Duke Jordan (piano), Addison Farmer (bass), Philly Joe Jones (drums)
|
| 1956
|
2 Trumpets
|
Prestige
|
Avec Donald Byrd (trumpet), Jackie McLean (alto sax), Barry Harris (piano), Doug Watkins (bass), Art Taylor (drums)
|
| 1956
|
Farmer's Market
|
Prestige
|
Avec Hank Mobley (tenor sax), Kenny Drew (piano), Addison Farmer (bass), Elvin Jones (drums)
|
| 1957
|
Three Trumpets
|
Prestige
|
Avec Donald Byrd and Idrees Sulieman (trumpet), Hod O'Brien (piano), Addison Farmer (bass), Ed Thigpen (drums)
|
| 1957
|
Last Night When We Were Young
|
ABC-Paramount
|
Avec the Quincy Jones orchestra ; Jones also wrote the arrangements
|
| 1958
|
Portrait of Art Farmer
|
Contemporary
|
Avec Hank Jones (piano), Addison Farmer (bass), Roy Haynes (drums)
|
| 1958
|
Modern Art
|
United Artists
|
Avec Benny Golson (tenor sax), Bill Evans (piano), Addison Farmer (bass), Dave Bailey (drums)
|
| 1959
|
Brass Shout
|
United Artists
|
Avec un big band ; arrangements by Benny Golson
|
| 1959
|
The Aztec Suite
|
United Artists
|
Avec un big band ; composition & arrangements by Chico O'Farrill
|
| 1960
|
Art
|
Argo
|
Avec Tommy Flanagan (piano), Tommy Williams (bass), Albert Heath (drums)
|
| 1961
|
Perception
|
Argo
|
Avec Harold Mabern (piano), Tommy Williams (bass), Roy McCurdy (drums)
|
| 1962
|
Listen to Art Farmer and the Orchestra
|
Mercury
|
Avec big band ; arrangements by Oliver Nelson
|
| 1963
|
Interaction
|
Atlantic
|
Avec Jim Hall (guitar), Steve Swallow (bass), Walter Perkins (drums)
|
| 1963
|
Live at the Half-Note
|
Atlantic
|
Personnel as on Interaction ; in concert
|
| 1964
|
To Sweden with Love
|
Atlantic
|
Avec Jim Hall (guitar), Steve Swallow (bass), Pete LaRoca (drums)
|
| 1964
|
The Many Faces of Art Farmer
|
Scepter
|
Avec Charles McPherson (alto sax), Tommy Flanagan (piano), Steve Swallow (bass), Bobby Thomas (drums)
|
| 1965
|
Sing Me Softly of the Blues
|
Atlantic
|
Avec Steve Kuhn (piano), Steve Swallow (bass), Pete LaRoca (drums)
|
| 1966
|
New York Jazz Sextet: Group Therapy
|
Scepter
|
Credited to the New York Jazz Sextet
|
| 1966
|
The Time and the Place: The Lost Concert
|
Mosaic
|
Avec Jimmy Heath (tenor sax), Albert Dailey (piano), Walter Booker (bass), Mickey Roker (drums) ; in concert
|
| 1966
|
Baroque Sketches
|
Columbia
|
Avec the Baroque Orchestra arranged by Benny Golson
|
| 1967
|
The Time and the Place
|
Columbia
|
Avec Jimmy Heath (tenor sax), Cedar Walton (piano), Walter Booker (bass), Mickey Roker (drums) ; studio album with overdubbed applause
|
| 1967
|
The Art Farmer Quintet Plays the Great Jazz Hits
|
Columbia
|
Personnel as on The Time and the Place (1967)
|
| 1968
|
Art Worker
|
Moon
|
Avec Ernie Royal (trumpet), Jimmy Cleveland (trombone), Oscar Estelle (alto, tenor, baritone saxes), Harold Mabern (piano), Jimmy Woode (bass), Roy McCurdy (drums)
|
| 1968
|
What Happens?
|
Campi
|
Avec Phil Woods (alto sax), Martial Solal (piano), Henri Texier (bass), Daniel Humair (drums)
|
| 1970
|
In Europe
|
Enja
|
Avec Fritz Pauer (piano), Peter Marshall (bass), Erich Bachtragl (drums) ; in concert
|
| 1970
|
From Vienna with Art
|
MPS
|
Avec Jimmy Heath (tenor sax), Fritz Pauer (piano), Jimmy Woode (bass), Erich Bachtragl (drums)
|
| 1971
|
Homecoming
|
Mainstream
|
Avec Jimmy Heath (tenor sax), Cedar Walton (piano), Sam Jones (bass), Billy Higgins (drums), James Mtume (congas), Warren Smith (percussion)
|
| 1972
|
Gentle Eyes
|
Mainstream
|
Avec big band ; arrangements par Hans Salomon
|
| 1974
|
Talk to Me
|
Pye
|
Avec the ORF [Austrian Broadcasting Corporation] Big Band
|
| 1974
|
A Sleeping Bee
|
Sonet
|
Avec Goran Strandberg (piano), Jan Schaffer (guitar), Red Mitchell (bass), Tony Inzalaco and Island Ostlund (drums ; separately), Sabu Martinez (percussion)
|
| 1975
|
Yesterday's Thoughts
|
East Wind
|
Avec Sam Jones (bass), Cedar Walton (piano), Billy Higgins (drums)
|
| 1975
|
To Duke with Love
|
East Wind
|
Avec Cedar Walton (piano), Sam Jones (bass guitar), Billy Higgins (drums)
|
| 1976
|
The Summer Knows
|
East Wind
|
Personnel as on To Duke with Love
|
| 1976
|
Art Farmer Quintet at Boomers
|
East Wind
|
Avec Clifford Jordan (tenor sax), Cedar Walton (piano), Sam Jones (bass) Billy Higgins (drums) ; in concert
|
| 1976
|
On the Road
|
Contemporary
|
Avec Art Pepper (alto sax), Hampton Hawes (piano), Ray Brown (bass), Steve Ellington and Shelly Manne (drums ; separately)
|
| 1977
|
Crawl Space
|
CTI
|
Avec Jeremy Steig (flute), David Grusin (keyboards), Eric Gale (guitar), Will Lee (bass, gong), George Mraz (bass), Steve Gadd (drums)
|
| 1977
|
Something You Got
|
CTI
|
Avec the David Matthews orchestra, featuring Yusef Lateef (tenor sax)
|
| 1977
|
Art Farmer Live in Tokyo
|
CTI
|
Avec Jackie McLean (alto sax), Cedar Walton (piano), Sam Jones (bass), Billy Higgins (drums) ; in concert
|
| 1978
|
Big Blues
|
CTI
|
Avec Jim Hall (guitar), Mike Mainieri (vibraphone), Mike Moore (bass), Steve Gadd (drums)
|
| 1979
|
Yama
|
CTI
|
Featuring Joe Henderson (tenor sax)
|
| 1981
|
A Work of Art
|
Concord
|
Avec Fred Hersch (piano), Bob Bodley (bass), Billy Hart(drums)
|
| 1981
|
Manhattan
|
Soul Note
|
Avec Sahib Shihab (soprano and baritone saxes), Kenny Drew (piano), Mads Vinding (bass), Ed Thigpen (drums)
|
| 1981
|
Foolish Memories
|
Bellaphon
|
Avec Harry Sokal (tenor sax), Fritz Pauer (piano), Heiri Känzig (bass), Joris Dudli (drums)
|
| 1982
|
Mirage
|
Soul Note
|
Avec Clifford Jordan (tenor sax), Fred Hersch (piano), Ray Drummond (bass), Akira Tana (drums)
|
| 1982
|
Warm Valley
|
Concord
|
Avec Fred Hersch (piano), Ray Drummond (bass), Akira Tana (drums)
|
| 1983
|
Ambrosia
|
Denon Records
|
With strings
|
| 1983
|
Maiden Voyage
|
Denon
|
With strings, Masahiko Satoh (piano)
|
| 1984
|
You Make Me Smile
|
Soul Note
|
Avec Clifford Jordan (tenor sax), Fred Hersch (piano) Rufus Reid (bass), Akira Tana (drums)
|
| 1987
|
Something to Live For: The Music of Billy Strayhorn
|
Contemporary
|
Avec Clifford Jordan (tenor sax), James Williams (piano), Rufus Reid (bass), Marvin "Smitty" Smith (drums)
|
| 1987
|
Azure
|
Soul Note
|
Avec Fritz Pauer (piano)
|
| 1988
|
Blame It on My Youth
|
Contemporary
|
Avec Clifford Jordan (tenor and soprano sax), James Williams (piano), Rufus Reid (bass), Victor Lewis (drums)
|
| 1989
|
Ph.D.
|
Contemporary
|
Avec Clifford Jordan (tenor sax), James Williams (piano), Kenny Burrell (guitar), Rufus Reid (bass), Marvin "Smitty" Smith (drums)
|
| 1989
|
Central Avenue Reunion
|
Contemporary
|
Avec Frank Morgan (alto sax), Lou Levy (piano), Eric Von Essen (bass), Albert Heath (drums)
|
| 1991
|
Soul Eyes
|
Enja
|
Avec Geoff Keezer (piano), Kenny Davis (bass), Lewis Nash (drums) ; in concert
|
| 1994
|
The Company I Keep
|
Arabesque
|
Avec Tom Harrell (trumpet, flugelhorn), Ron Blake (soprano and tenor saxes), Geoff Keezer (piano), Kenny Davis (bass), Carl Allen (drums)
|
| 1995
|
The Meaning of Art
|
Arabesque
|
Avec Slide Hampton (trombone), Ron Blake (soprano and tenor saxes), Geoff Keezer (piano), Kenny Davis (bass), Carl Allen (drums)
|
| 1996
|
Silk Road
|
Arabesque
|
Avec Don Braden and Ron Blake (soprano and tenor saxes), Geoff Keezer (piano), Kenny Davis (bass), Carl Allen (drums)
|
| 1996
|
Live at Stanford Jazz Workshop
|
Monarch
|
Avec Harold Land (tenor sax), Bill Bell (piano), Rufus Reid (bass), Albet Heath (drums) ; in concert
|
| 1998
|
Art Farmer Plays Standards
|
PAO
|
Avec Jarek Smietana (guitar), Jacek Niedziela and Antoni Debski (bass ; separately), Adam Czerwinski (drums)
|
Avec le Jazztet
Avec Benny Golson (saxophone ténor)
| Année
|
Titre
|
Label
|
Notes
|
| 1960
|
Meet the Jazztet
|
Argo
|
Avec Curtis Fuller (trombone), McCoy Tyner (piano), Addison Farmer (bass), Lex Humphries (drums)
|
| 1960
|
Big City Sounds
|
Argo
|
Avec Tom McIntosh (trombone), Cedar Walton (piano), Tommy Williams (bass), Albert Heath (drums)
|
| 1960–61
|
The Jazztet and John Lewis
|
Argo
|
Personnel as on Big City Sounds ; John Lewis (composer, arranger)
|
| 1961
|
The Jazztet at Birdhouse
|
Argo
|
Personnel as on Big City Sounds ; in concert
|
| 1962
|
Here and Now
|
Mercury
|
Avec Grachan Moncur III (trombone), Harold Mabern (piano), Herbie Lewis (bass), Roy McCurdy (drums)
|
| 1962
|
Another Git Together
|
Mercury
|
Personnel as on Here and Now
|
| 1982
|
Voices All
|
Eastworld
|
Avec Curtis Fuller, Cedar Walton, Buster Williams (bass), Albert Heath
|
| 1982
|
In Performance at the Playboy Jazz Festival
|
Elektra/Musician
|
Avec Mike Wolff (piano), John B. Williams (bass), Roy McCurdy, Nancy Wilson (vocals) ; in concert ; shared with various bands
|
| 1983
|
Moment to Moment
|
Soul Note
|
Avec Curtis Fuller, Mickey Tucker (piano), Ray Drummond (bass), Albert Heath
|
| 1983
|
Nostalgia
|
Baystate
|
Avec Curtis Fuller, Mickey Tucker, Rufus Reid (bass), Billy Hart (drums)
|
| 1986
|
Back to the City
|
Contemporary
|
Avec Curtis Fuller, Mickey Tucker, Ray Drummond, Marvin 'Smitty' Smith (drums)
|
| 1986
|
Real Time
|
Contemporary
|
Personnel as on Back to the City
|
Albums en tant que sideman
| Année
|
Leader
|
Titre
|
Label
|
| 1949
|
(Various), (Various)
|
Black California
|
Savoy
|
| 1953
|
Brown, CliffordClifford Brown
|
The Clifford Brown Big Band In Paris
|
Prestige
|
| 1953
|
Brown, CliffordClifford Brown
|
Memorial
|
Prestige
|
| 1953
|
Hampton, LionelLionel Hampton
|
European Concert 1953
|
IAJRC
|
| 1953
|
Brown, CliffordClifford Brown
|
The Complete Paris Collection, Vol. 3
|
Jazz Legacy
|
| 1955
|
Ammons, GeneGene Ammons
|
All Star Sessions
|
Prestige
|
| 1956
|
Ammons, GeneGene Ammons
|
The Happy Blues
|
Prestige
|
| 1956
|
Ammons, GeneGene Ammons
|
Jammin' with Gene
|
Prestige
|
| 1956
|
Jones, QuincyQuincy Jones
|
This Is How I Feel About Jazz
|
ABC
|
| 1956
|
Mathis, JohnnyJohnny Mathis
|
Johnny Mathis
|
Columbia
|
| 1956
|
Charles, TeddyTeddy Charles
|
The Teddy Charles Tentet
|
Atlantic
|
| 1956
|
Charles, TeddyTeddy Charles
|
Word from Bird
|
Atlantic
|
| 1956
|
Green, BennieBennie Green
|
Bennie Green with Art Farmer
|
Prestige
|
| 1956
|
McKusick, HalHal McKusick
|
The Jazz Workshop
|
RCA Victor
|
| 1956
|
Mellé, GilGil Mellé
|
Gil's Guests
|
Prestige
|
| 1956
|
Russell, GeorgeGeorge Russell
|
The Jazz Workshop
|
RCA Victor
|
| 1957
|
Albam, MannyManny Albam
|
The Jazz Greats of Our Time, Vol. 1
|
Coral
|
| 1957
|
Ammons, GeneGene Ammons
|
Funky
|
Prestige
|
| 1957
|
Burrell, KennyKenny Burrell
|
Earthy
|
Prestige
|
| 1957
|
Cleveland, JimmyJimmy Cleveland
|
Cleveland Style
|
EmArcy
|
| 1957
|
Costa, EddieEddie Costa
|
Eddie Costa Quintet
|
Interlude
|
| 1957
|
Clark, SonnySonny Clark
|
Dial "S" for Sonny
|
Blue Note
|
| 1957
|
Fuller, CurtisCurtis Fuller
|
Curtis Fuller Volume 3
|
Blue Note
|
| 1957
|
Golson, BennyBenny Golson
|
Benny Golson's New York Scene
|
Contemporary
|
| 1957
|
Jordan, CliffordClifford Jordan
|
Cliff Craft
|
Blue Note
|
| 1957
|
Holiday, JoeJoe Holiday (en)
|
Holiday for Jazz
|
Decca
|
| 1957
|
Prestige All Stars, Prestige All Stars
|
Earthy
|
Prestige
|
| 1957
|
Prestige All Stars, Prestige All Stars
|
Three Trumpets
|
Prestige
|
| 1957
|
Prestige All Stars, Prestige All Stars
|
Coolin'
|
New Jazz
|
| 1957
|
(Various), (Various)
|
Modern Jazz Concert
|
Columbia
|
| 1957
|
Silver, HoraceHorace Silver
|
The Stylings of Silver
|
Blue Note
|
| 1957
|
McKusick, HalHal McKusick
|
Hal McKusick Quintet
|
Coral
|
| 1957
|
Mobley, HankHank Mobley
|
Hank Mobley Quintet
|
Blue Note
|
| 1958
|
Giuffre, JimmyJimmy Giuffre
|
The Music Man
|
Atlantic
|
| 1958
|
Waldron, MalMal Waldron
|
Mal/3: Sounds
|
Prestige
|
| 1958
|
Webster, BenBen Webster
|
The Soul of Ben Webster
|
Verve
|
| 1958
|
Mulligan, GerryGerry Mulligan
|
The Jazz Combo from I Want to Live!
|
United Artists
|
| 1958
|
Prestige Blues-Swingers, Prestige Blues-Swingers
|
Outskirts Of Town
|
Prestige
|
| 1958
|
Ross, AnnieAnnie Ross
|
Annie Ross Sings a Song with Mulligan!
|
World Pacific
|
| 1958
|
Silver, HoraceHorace Silver
|
Further Explorations
|
Blue Note
|
| 1958
|
McKusick, HalHal McKusick
|
Cross Section – Saxes
|
Decca
|
| 1958
|
Clark, SonnySonny Clark
|
Cool Struttin'
|
Blue Note
|
| 1958
|
Benson Brooks, JohnJohn Benson Brooks (en)
|
Alabama Concerto
|
Riverside
|
| 1958
|
Jackson, MiltMilt Jackson
|
Bags' Opus
|
United Artists
|
| 1958
|
Legrand, MichelMichel Legrand
|
Legrand Jazz
|
Columbia
|
| 1958
|
Lincoln, AbbeyAbbey Lincoln
|
It's Magic
|
Riverside
|
| 1958
|
Lowe, MundellMundell Lowe (en)
|
Porgy & Bess
|
RCA Camden
|
| 1958–59
|
Mulligan, GerryGerry Mulligan
|
What Is There to Say?
|
Columbia
|
| 1958–59
|
Russell, GeorgeGeorge Russell
|
New York, N.Y.
|
Decca
|
| 1958-59
|
Ortega, TonyTony Ortega
|
Jazz For Young Moderns
|
Bethlehem
|
| 1959
|
Potts, BillBill Potts
|
The Jazz Soul Of Porgy & Bess
|
United Artists
|
| 1960–61
|
Golson, BennyBenny Golson
|
Take a Number from 1 to 10
|
Argo
|
| 1963
|
Mulligan, GerryGerry Mulligan
|
Night Lights
|
Philips
|
| 1964
|
Mendes, SergioSergio Mendes
|
Bossa Nova York
|
Elenco
|
| 1966
|
O'Farrill, ChicoChico O'Farrill
|
Nine Flags
|
Impulse!
|
| 1967
|
Golson, BennyBenny Golson
|
Tune In, Turn On
|
Verve
|
| 1969
|
Kenny Clarke/Francy Boland Big Band,Kenny Clarke/Francy Boland Big Band (en)
|
TNP
|
Delta Music
|
| 1969
|
Sarmanto, HeikkiHeikki Sarmanto (en)
|
Many Moons – July '69
|
Louhi Productions
|
| 1970
|
Kenny Clarke/Francy Boland Big Band, Kenny Clarke/Francy Boland Big Band
|
November Girl
|
Black Lion
|
| 1970
|
Kenny Clarke/Francy Boland Big Band, Kenny Clarke/Francy Boland Big Band
|
Off Limits
|
Polydor
|
| 1971
|
Kenny Clarke/Francy Boland Big Band, Kenny Clarke/Francy Boland Big Band
|
Change Of Scenes
|
Verve
|
| 1974
|
Herbolzheimer, PeterPeter Herbolzheimer (en)
|
Scenes
|
MPS
|
| 1975
|
BP Convention Big Band, BP Convention Big Band
|
Blue Sunset
|
Jugoton
|
| 1976
|
(Various), (Various)
|
Jazz Gala Concert
|
Atlantic
|
| 1977
|
Lateef, YusefYusef Lateef
|
Autophysiopsychic
|
CTI
|
| 1978
|
Jordan, DukeDuke Jordan
|
Duke's Artistry
|
SteepleChase
|
| 1979
|
Flanagan, TommyTommy Flanagan
|
Something Tasty
|
Baystate
|
| 1980
|
Pieranunzi, EnricoEnrico Pieranunzi
|
Isis
|
Soul Note
|
| 1983
|
Carter, JoeJoe Carter
|
My Foolish Heart
|
Empathy
|
| 1987
|
Dorough, BobBob Dorough (en)
|
Songs of Love
|
|
| 1987
|
Murphy, MarkMark Murphy (en)
|
September Ballads
|
Milestone
|
| 1987
|
Taina, Taina
|
Scene from a Trance
|
CBS
|
| 1987–88
|
Wentzel, MagniMagni Wentzel (en)
|
My Wonderful One
|
Gemini
|
| 1990
|
(Various), (Various)
|
Rhythmstick
|
CTI
|
| 1993
|
Carroll, BarbaraBarbara Carroll
|
This Heart of Mine
|
DRG
|
| 1996
|
Golson, BennyBenny Golson
|
One Day, Forever
|
Arkadia
|
| 1996
|
Hall, JimJim Hall
|
Panorama: Live at The Village Vanguard
|
Telarc
|
Singles en tant que sideman
| Année
|
Leader
|
Titre
|
Label
|
| 1948
|
Turner, Big JoeBig Joe Turner
|
Radar Blues / Trouble Blues
|
Swing Time
|
| 1948
|
Turner, Big JoeBig Joe Turner
|
Wine-O-Baby / B & O Blues
|
Swing Time
|
| 1948
|
Turner, Big JoeBig Joe Turner
|
Christmas Date Boogie / Tell Me Pretty Baby
|
Swing Time
|
| 1948
|
Turner, Big JoeBig Joe Turner
|
Old Piney Brown is Gone / Baby Won't You Marry Me
|
Swing Time
|
| 1949
|
Porter, RoyRoy Porter (en)
|
Little Wig / Gassin' The Wig
|
Savoy
|
| 1949
|
Porter, RoyRoy Porter
|
Don't Blame Me
|
Rex Hollywood
|
| 1949
|
Porter, RoyRoy Porter
|
Frantic Dream / Everything's Cool
|
Rex Hollywood
|
| 1952
|
Gray, WardellWardell Gray
|
April Skies / Bright Boy
|
Prestige
|
| 1952
|
Gray, WardellWardell Gray
|
Jackie / Sweet and Lovely
|
Prestige
|
| 1952
|
Gray, WardellWardell Gray
|
Farmer's Market / Lover Man
|
Prestige
|
| 1959
|
Charles, TeddyTeddy Charles
|
Air Mail Special / Flying Home
|
Bethlehem
|
Filmographie
Références
Liens externes
Information related to Art Farmer |
