理查德·塔鲁斯金
理查德·塔鲁斯金 2014年的塔鲁斯金
出生 (1945-04-02 ) 1945年4月2日美国 纽约市 逝世 2022年7月1日(2022歲—07—01 ) （77歲）美国 加利福尼亚州 奥克兰 配偶 Cathy Roebuck （结婚）儿女 2 奖项 教育程度 哥伦比亚大学 （文学学士、文学硕士、哲学博士）學科 俄国音乐 研究機構 著名作品 《牛津西方音乐史
理查德·菲勒·塔鲁斯金 （英語：Richard Filler Taruskin ，1945年4月2日—2022年7月1日），美国音乐学家 、音乐评论家，是同代音乐史 学家中的最杰出的领头人物之一。[ 1] [ 2] 纽约时报 》等报纸撰写音乐评论。塔鲁斯金研究过各种各样的课题，但主要是18世纪至今的俄国音乐。其他涉猎的课题包括表演理论、15世纪音乐、20世纪古典音乐、民族主义音乐 、现代性 理论、音乐分析等。最为著称的是对西方古典音乐研究的六卷本鸿篇巨帙《牛津西方音乐史 [ 2] [ 5] :124–125 受奖若干，包括1978年美国音乐学学会 首次颁发的诺亚·格林伯格奖 京都奖 。
理查德·菲勒·塔鲁斯金[ 6] [ 2] [ 7] [ 2] 哥伦比亚大学 优等文学学士（1965）、文学硕士（1968）和音乐史学的哲学博士学位（1976）。[ 7] 古大提琴 。[ 2]
博士学习期间，他师从保罗·亨利·朗 [ 6] 十月革命 后仍留在俄国的亲戚，塔鲁斯金接触到了一些不太为人知的俄国歌剧唱片，激发了他对俄国音乐的兴趣。他靠富布赖特奖学金 去莫斯科一年，期间不仅对俄国的语言和音乐产生了兴趣，还对音乐与社会、政治史的联系产生兴趣。1980年代，塔鲁斯金在纽约公共图书馆 考察了斯特拉文斯基 的档案文件。[ 1]
1975–1986年，塔鲁斯金任教于哥伦比亚大学[ 6] 加利福尼亚大学伯克利分校 任音乐学教授，[ 1] 伯克利分校 退休。[ 8]
1981年出版第一本书《1860年代俄国歌剧、戏剧的言传与身教》（Opera and Drama in Russia as Preached and Practiced in the 1860s ）。[ 6] 纽约时报 》撰写的一些文章，[ 6] [ 6] 艾略特·卡特 、奥尔夫 、普罗科菲耶夫 等。[ 6] 复古风格演奏 运动的评论家[ 1] [ 2] Text and Act ）一书，[ 10] The Danger of Music and Other Anti-Utopian Essays ）[ 11] On Russian Music ）[ 12] 审查制度 ，特别是对约翰·亚当斯 歌剧《克林霍弗之死 [ 13] [ n 1]
1996年的全面研究《斯特拉文斯基及其俄国传统——从歌剧〈马芙拉〉观其创作史》发现斯特拉文斯基 其实大量借鉴着俄国民间音乐素材，并分析了造成斯特拉文斯基不愿透露这些借用的历史原因。[ 1] [ 14]
塔鲁斯金对西方古典音乐的研究见于六卷《牛津西方音乐史》。[ 2] [ 5] :124–125 其中第一卷专论从最早的有文献音乐到16世纪的音乐，“从历史、美术和建筑中编织事实和印象”，引人入胜地介绍早期音乐。[ 6]
塔鲁斯金1984年与Cathy Roebuck结婚，育有子女二人。[ 1] [ 6] 食道癌 逝于加利福尼亚州奥克兰 ，享年77岁。[ 6] [ 7] [ 15]
塔鲁斯金所获学术奖项众多。1978年他以对奥克冈 的《短拍弥撒》的研究和表演收获美国音乐学学会 [ 16] [ 17] 美国哲学学会 。[ 18] 美国作曲家、作家和发行商协会 1988年授予他Deems Taylor奖，[ 19] [ 20] 京都奖 （音乐类）。[ 8] [ 21]
2012年，普林斯顿大学 召开“音乐史终结之后”大会，表彰其贡献。[ 6]
（来源：）
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^ See, for example, “The Klinghoffer Controversy” in Thomas May, ed., The John Adams Reader (Amadeus Press, 2006), pp. 297–339; Taruskin’s original 2001 The New York Times The Danger of Music .
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