Albany, sometimes referred to as the Albany, is an English apartment complex in Piccadilly, London. The three-storey mansion was built in the 1770s and divided into apartments in 1802.
Albany was built in 1771–1776 by Sir William Chambers for the newly created 1st Viscount Melbourne who had bought the land and residence (Piccadilly House) it was to replace from Henry Fox, 1st Baron Holland for £16,500.[1][2] It was called Melbourne House and cost at least £50,000 to build.[3] It is a three-storey mansion, seven bays (windows) wide, with a pair of service wings flanking a front courtyard.
In 1791, Lord Melbourne, who by then had built up considerable debts to fund his and his wife's extravagant lifestyle, downsized by exchanging Melbourne House for Dover House, Whitehall (now a government office) with the recently married Prince Frederick, Duke of York and Albany, who required a larger property in order to "entertain in style".[4] The sale price was £23,571.[4] In 1802 the Duke in turn gave up the house and it was converted by Henry Holland into 69 bachelor apartments (known as "sets"). This was achieved by subdividing the main block and its two service wings, and by adding two new parallel long buildings covering most of the garden, running as far as a new rear gate building on Burlington Gardens. Named The Ropewalk, Holland's new buildings of 1802–1803 flank a covered walkway supported on thin iron columns and with an upswept roof. The blocks are white painted render in a simpler Regency style than Chambers' work. Most sets are accessed off common staircases without doors, like Oxbridge colleges and the Inns of Court.
History
From the time of its conversion, Albany was a prestigious set of bachelor apartments. Residents have included the poet Lord Byron, the future prime minister William Ewart Gladstone and numerous members of the aristocracy.
During the Second World War, one of the buildings received significant damage from a German bomb, but was reconstructed after the war to appear as an exact replica.[5]
Residents no longer have to be bachelors, although children under the age of 14 are not permitted to live there.[7]
Ownership and governance
The apartments or "sets" are individually owned as flying freeholds, with the owners known as "proprietors"; a set that came up for sale in 2007 had an advertised guide price of £2 million.[8]
Around half the sets were owned by Peterhouse, a college of the University of Cambridge.[5] These were acquired by William Stone (1857–1958) during the Second World War.[9] Stone, nicknamed the "Squire of Piccadilly", was a former scholar of Peterhouse, a bachelor and a lifelong resident of Albany.[10] He bequeathed 37 sets to the college,[10] along with other endowments.[9]
Albany is governed by a board of trustees on behalf of the proprietors. The annual rent of a set can be as much as £50,000 and prospective tenants are vetted by a committee before being allowed to take up residence. Only recently[when?] have women been allowed to apply.[7]
The names "Albany" and "the Albany" have both been used. The rules adopted in 1804 laid down that "the Premises mentioned in the foregoing Articles shall be called Albany". Both names have been used in the 19th and 20th centuries. In a 1958 review of a book about the building, Peace in Piccadilly, The Times wrote, "Albany or the Albany? It has long been a snobbish test of intimate knowledge of the West End. If one was in use, a man could feel superior by using the other. When G. S. Street wrote The Ghosts of Piccadilly in 1907, he said that 'the Albany' was then 'universal', but that to the earliest tenants it was 'Albany'."[11]
In fiction
An early use of the building in fiction was the novel, The Bachelor of the Albany (1847) by Marmion Wilard Savage. Still earlier is the hero of Benjamin Disraeli’s novel Sybil (1845), Charles Egremont, who lives there; he has a portrait by Cristofano Allori hung over his fireplace halfway through the book.
In Dorothy Sayers' novel Clouds of Witness (1926), Dennis Cathcart, whose death is central to the story, is said to "have a room in Albany."
Mr Fascination Fledgeby, a moneylender in Charles Dickens' novel Our Mutual Friend (1865), is described as living there. Several scenes from the book take place in his apartment. In the novel The Picture of Dorian Gray (1890) by Oscar Wilde, Lord Fermor, the uncle of the character Lord Henry Wotton, resides in Albany. In Oscar Wilde's play The Importance of Being Earnest (1895), the character John (Jack) Worthing has a set at Albany (number B.4), where he lives while staying in London under the assumed name of Ernest.
In the James Bond novel Moonraker by Ian Fleming (1955), Max Meyer, the bridge partner of Sir Hugo Drax, was said to live in Albany. Simon Raven's Alms for Oblivion novels (including 1974's Bring Forth the Body) feature Somerset Lloyd-James, a politician and resident of Albany.
In Graham Greene's The Human Factor (1978), Dr Percival resides at D.6. In the Major Harry Maxim novels by Gavin Lyall, George Harbinger, Harry's boss, who first appears in The Secret Servant (1980), has an apartment at Albany where he lives with his spouse, Annette. In Julian Fellowes' novel Belgravia (2016), Mr John Bellasis resides in an apartment at Albany.
Tenants
The list below is based mainly on the much longer list in the Survey of London. Many tenants were in residence for only a short time when they were young.
^ abBrown, Colin (2018). Lady M The Life and Loves of Elizabeth Lamb, Viscountess Melbourne 1751-1818 (paperback ed.). Stroud, Gloucestershire, UK: Amberley Publishing. pp. 134–8. ISBN9781445689456.
Rooms at The AlbanyArchived 4 November 2005 at the Wayback Machine - (n.b. the picture at the top of the page is not The Albany. While a number of the residences of past Dukes of York have been known as York House (including Albany during the residence of Frederick Duke of York), the illustration is of the past York House which went on to acquire an extra storey and to be renamed Stafford House and then Lancaster House.)
