Lute composition by Johann Sebastian Bach; fifth movement of BWV 996
Bourrée in E minor is a popular lute piece, the fifth movement from Suite in E minorBWV 996 (BC L166) written by Johann Sebastian Bach between 1708 and 1717. The piece is arguably one of the most famous among guitarists.[1]
A bourrée was a type of dance that originated in France with quick duple meter and an upbeat.[2] Though the bourrée was popular as a social dance and shown in theatrical ballets during the reign of Louis XIV of France, the Bourrée in E minor was not intended for dancing.[2] Nonetheless, some of the elements of the dance are incorporated in the piece.[2]
Bach wrote his "lute" pieces in a traditional score rather than in lute tablature, and it is believed that Bach played these pieces on the Lautenwerk, a keyboard instrument acoustically imitating the lute.[2] No original script of the Suite in E minor for Lute by Bach is known to exist.[3] However, in the collection of one of Bach's pupils, Johann Ludwig Krebs, there is one piece ("Praeludio – con la Suite da Gio: Bast. Bach") that has written "aufs Lauten Werck" ("for the lute-harpsichord") in unidentified handwriting.[3] Some argue that despite this reference, the piece was meant to be played on the lute as demonstrated by the texture.[3] Others argue that since the piece was written in E minor, it would be incompatible with the baroque lute which was tuned to D minor.[4] Nevertheless, it may be played with other string instruments, such as the guitar, mandola or mandocello, and keyboard instruments, and it is especially well-known among guitarists.[5] The tempo of the piece is fairly quick and smooth. It also demonstrates counterpoint, as the two voices move independently of one another.[1] Furthermore, the Bourrée in E minor demonstrates binary form.[6]
Robert Schumann quotes the first 14 notes of this memorable theme (transposed to G minor) in #3 of the Op. 60, 6 Fugues on B–A–C–H, where he neatly combines it with the B♭ A C B motif. There also appears to be an echo of this reference in the next fugue, #4.
Paul McCartney has said in interviews and on tours that the songs "Blackbird" and "Jenny Wren" were both inspired by variations and alterations to the bourrée.[11]
The LondonBlues-rock group Bakerloo released their arrangement of the tune, titled "Drivin' Bachwards", as a single on Harvest Records (HAR 5004) in July 1969. The same recording appeared on their self-titled debut album (Harvest SHVL 762) the following December.
Jimmy Page of Led Zeppelin occasionally incorporated the opening melody of the piece into live performances of the song "Heartbreaker", during the song's guitar solo.[12]