You can help expand this article with text translated from the corresponding article in German. Click [show] for important translation instructions. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Consider adding a topic to this template: there are already 2,213 articles in the main category, and specifying|topic= will aid in categorization. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing German Wikipedia article at [[:de:Künstlerkolonie Dachau]]; see its history for attribution. You may also add the template {{Translated|de|Künstlerkolonie Dachau}} to the talk page. For more guidance, see Wikipedia:Translation.

The Dachau Artists' Colony was located in Dachau, Germany, and flourished from around 1890 until 1914.

In the early 19th century, the then-bucolic village of Dachau (located just 12 miles from Munich) began attracting landscape painters.^[1] By the second half of the century, Barbizon-influenced painters like Carl Spitzweg and Christian Morgenstern, and academic painters like Wilhelm von Diez and Eduard Schleich the Elder had worked in and around Dachau.^[1]

A new era opened in 1888 when the German painter Adolf Hölzel moved to Dachau.^[2] In 1897 he and several other avant-garde artists — notably Ludwig Dill and Arthur Langhammer — set up the "New Dachau" art school in Dachau that attracted artists from all over Europe, especially rural genre painters, landscape painters, and printmakers.^[2] Many stayed and formed a colony, drawn both by the picturesque surrounding moors stretching to the distant Alps and by the lower cost of living than in nearby Munich.^[2][1] Among those drawn to the artists' colony were Fritz von Uhde,^[3] Walther Klemm,^[4] Gertrud Staats,^[5] and Carl Thiemann.^[4] The architect Georg Ludwig designed a group of residences for Dachau artists.^[6]

The new colony achieved national recognition in 1898 when Hölzel, Dill, and Langhammer mounted a joint exhibition in Berlin under the title "The Dachauer".^[1] So many artists passed through Dachau during its first fifteen years that certain subjects and views were reproduced repeatedly.^[6] One especially popular subject was an old cottage surrounded by ancient poplars, known as the 'Moss Hut' (Moosschwaige).^[6] The nearby moorland, called the Dachauer Moos, was another popular subject.^[6]

The heyday of the colony lasted only until 1914, when many artists left to join the military during World War I and never returned.^[1] In addition, new developments in art during the postwar era — especially the rise of urban and industrial subjects — began to leave Dachau colony artists behind.^[1] After World War II, the art colony was nearly forgotten as Dachau became associated in most people's minds above all with the Dachau concentration camp.^[1]

• Art colony