Jamesetta Hawkins (January 25, 1938 – January 20, 2012), known professionally as Etta James, was an American singer and songwriter. Starting her career in 1954, James frequently performed in Nashville's famed R&B clubs, collectively known as the "Chitlin' Circuit", in the 1940s, 1950s, and 1960s.[1] She sang in various genres, including gospel, blues, jazz, R&B, rock and roll, and soul. She gained fame with hits such as "The Wallflower", "At Last", "Tell Mama", "Something's Got a Hold on Me", and "I'd Rather Go Blind".[2] She faced a number of personal problems, including heroin addiction, severe physical abuse, and incarceration, before making a musical comeback in the late 1980s with the album Seven Year Itch (1988).[3]
Jamesetta Hawkins was born on January 25, 1938, in Los Angeles, California, to Dorothy Hawkins, who was 14 at the time. Although her father has never been identified,[10] James speculated that she was the daughter of pool player Rudolf "Minnesota Fats" Wanderone, whom she met briefly in 1987.[11] Her mother was frequently absent from their apartment in Watts, conducting relationships with various men, and James lived with a series of foster parents, most notably "Sarge" and "Mama" Lu. James referred to her mother as "the Mystery Lady".[10] James was raised by relatives and friends during her childhood, and she began regularly attending a Baptist church while in the care of her grandparents.[12]
James received her first professional vocal training at the age of five from James Earle Hines, musical director of the Echoes of Eden choir at the St. Paul Baptist Church in South-Central Los Angeles. She became a soloist in the choir despite her young age and performed with them on local radio stations. She quickly gained attention for having a strong voice for a child. Hines often punched her in the chest while she sang to force her voice to come from her gut.[13][12]
Sarge, like the musical director for the choir, was also abusive. During drunken poker games at home, he would awaken James in the early morning hours and force her with beatings to sing for his friends. The trauma of her foster father forcing her to sing under these humiliating circumstances caused her to have difficulties with singing on demand throughout her career.[14]
In 1950, Mama Lu died, and James's biological mother took her to the Fillmore district of San Francisco.[15] Within a couple of years, she began listening to doo-wop and was inspired to form a girl group, the Creolettes (so named for the members' light-skinned complexions).
At the age of 14, she met musician Johnny Otis. Stories on how they met vary. In Otis's version, she came to his hotel after one of his performances in the city and persuaded him to audition her. Another story was that Otis spotted the Creolettes performing at a Los Angeles nightclub and sought for them to record his "answer song" to Hank Ballard's "Work with Me, Annie". Otis took the Creolettes under his wing and helped them sign to Modern Records, at which point they changed their name to Peaches.[16] At this time Otis also gave James her stage name, transposing "Jamesetta" (her given first name) into "Etta James."[citation needed] In 1954, James recorded and was credited as co-author for "The Wallflower" (a title change to the aforementioned song, "Work with Me, Annie"), which was released in early 1955. The original title of the song was actually "Roll with Me, Henry", but it had been changed to avoid censorship at the time (roll implying sexual activity). In February 1955, the song reached number one on the Hot Rhythm & Blues Tracks chart.[17] Its success also gave the Peaches an opening spot on Little Richard's national tour.[18]
While James was on tour with Richard, pop singer Georgia Gibbs recorded a version of her song and released it under the again-altered title "Dance With Me, Henry." It became a crossover hit, reaching number one on the Billboard Hot 100, which angered James.
After leaving the Peaches, James had another R&B hit with "Good Rockin' Daddy" but struggled with follow-ups. When her contract with Modern came up for renewal in 1960, she signed a contract with Chess Records instead, with which she would go on to become one of the label's earliest stars.[5] Around this time, she became involved in a relationship with the singer Harvey Fuqua, the founder of the doo-wop group the Moonglows.
Musician Bobby Murray toured with James for over 20 years. He wrote that James had her first hit single when she was 15 years old and went steady with B.B. King when she was 16. James believed that King's hit single "Sweet Sixteen" was about her.[19] In early 1955, she and an aspiring singer, the 19-year-old Elvis Presley, then recording for Sun Studios and an avid fan of King's, shared a bill in a large club just outside Memphis.[citation needed] In her autobiography, she noted how impressed she was with the young singer's manners. She also recalled how happy he made her many years later when she found out that it was Presley who had moved her close friend Jackie Wilson from a substandard convalescent home to a more appropriate facility and, as she put it, paid all the expenses. Presley died a year later. Wilson went on to live for another ten years in the care center Presley found for him.
1960–1978: Chess and Warner Bros. years
Dueting with Harvey Fuqua, James recorded for Argo Records (later renamed Cadet Records), a label established by Chess. Her first hit singles with Fuqua were "If I Can't Have You" and "Spoonful". Her first solo hit was the doo-wop–styled rhythm-and-blues song "All I Could Do Was Cry", which was a number two R&B hit.[20] Chess Records co-founder Leonard Chess envisioned James as a classic ballad stylist who had potential to cross over to the pop charts and soon surrounded the singer with violins and other string instruments.[20] The first string-laden ballad James recorded was "My Dearest Darling" in May 1960, which peaked in the top five of the R&B chart. James sang background vocals for her labelmate Chuck Berry on his "Back in the U.S.A."[21][22]
Her debut album, At Last!, was released in late 1960 and was noted for its varied selection of music, from jazz standards to blues to doo-wop and rhythm and blues (R&B).[23] The album included the future classics "I Just Want to Make Love to You" and "A Sunday Kind of Love". In early 1961, James released what was to become her signature song, "At Last", a Glenn Miller tune, which reached number two on the R&B chart and number 47 on the Billboard Hot 100. Though the record was not as successful as expected, her rendition has become the best-known version of the song.[21] James followed this with "Trust in Me", which also included string instruments.[20] Later that same year (1960), James released a second studio album, The Second Time Around. The album took the same direction as her first, covering jazz and pop standards and with strings on many of the songs. It produced two hit singles, "Fool That I Am" and "Don't Cry Baby".[24]
James started adding gospel elements in her music the following year, releasing "Something's Got a Hold on Me", which peaked at number four on the R&B chart and was a Top 40 pop hit. That success was quickly followed by "Stop the Wedding", which reached number six on the R&B chart and also had gospel elements.[21] In 1963, she had another major hit with "Pushover" and released the live album Etta James Rocks the House, recorded at the New Era Club in Nashville, Tennessee.[20] After a couple of years of minor hits, James's career started to suffer after 1965. After a period of isolation, she returned to recording in 1967 and reemerged with more gutsy R&B numbers thanks to her recording at the legendary FAME Studios in Muscle Shoals, Alabama. These sessions yielded her comeback hit "Tell Mama", co-written by Clarence Carter, which reached number ten on the R&B chart and number twenty-three for pop. An album of the same name was also released that year and included her take on Otis Redding's "Security".[25] The B-side of "Tell Mama" was "I'd Rather Go Blind", which became a blues classic and has been recorded by many other artists. In her autobiography, Rage to Survive, she wrote that she heard the song outlined by her friend Ellington "Fugi" Jordan when she visited him in prison.[26] According to her account, she wrote the rest of the song with Jordan but for tax reasons gave her songwriting credit to her partner at the time, Billy Foster.
Following this success, James became an in-demand concert performer, though she never again reached the heyday of her early to mid-1960s success. Her records continued to chart in the R&B Top 40 in the early 1970s, with singles such as "Losers Weepers" (1970) and "I Found a Love" (1972). Though James continued to record for Chess, she was devastated by the death of record executive Leonard Chess in 1969. James ventured into rock and funk with the release of her self-titled album in 1973, with production from the famed rock producer Gabriel Mekler, who had worked with Steppenwolf and Janis Joplin. Joplin had admired James and had covered "Tell Mama" in concert. James' 1973 album, exhibiting a mixture of musical styles, was nominated for a Grammy Award.[25] The album did not produce any major hits, however, and neither did the follow-up album, Come a Little Closer, in 1974, though, like '73's Etta James before it, the album was also critically acclaimed.[citation needed]
James continued to record for Chess (now owned by All Platinum Records), releasing one more album in 1976, Etta Is Betta Than Evvah! Her 1978 album Deep in the Night, produced by Jerry Wexler for Warner Bros., incorporated more rock-based music in her repertoire.[20] That same year, James was the opening act for the Rolling Stones and performed at the Montreux Jazz Festival. Following this brief success, however, she left Chess Records and did not record for another ten years while she struggled with drug addiction and alcoholism.
1982–1998: Continued performances and return to recording
In 1989, she signed with Island Records and with them released the albums Seven Year Itch and Stickin' to My Guns, both of which were produced by Barry Beckett and recorded at FAME Studios.[25] Also in 1989 James was filmed in a concert at the Wiltern Theater in Los Angeles with Joe Walsh and Albert Collins for the film Jazzvisions: Jump the Blues Away. Many of the backing musicians were top-flight players from Los Angeles: Rick Rosas (bass), Michael Huey (drums), Ed Sanford (Hammond B3 organ), Kip Noble (piano) and Josh Sklair, James' longtime guitar player.
By the mid-1990s, James's earlier music—by now considered classic—was being used in commercials, including "I Just Wanna Make Love to You", for example. After an excerpt of that song was featured in a Diet Coke advertising campaign in the UK, the song again charted, reaching the top ten on the UK charts in 1996.[17]
By 1998, with the release of Life, Love & the Blues, James had added as backing musicians her own sons, Donto and Sametto, on drums and bass, respectively.[31] They were part of her touring band. She continued recording for Private Music, which released the blues album Matriarch of the Blues in 2000, on which she returned to her R&B roots.
James at the 2006 Common Ground Festival in Lansing, Michigan
In 2008, James was portrayed by singer Beyoncé in the film Cadillac Records, a fictional account of Chess Records, James's label for 18 years, about how label founder and producer Leonard Chess helped the careers of James and others.[38] The film included "At Last," performed by Beyoncé. Beyoncé was invited to perform the song at Barack Obama's inaugural ball. In the following weeks James publicly complained that Beyoncé was “singing my song,” but later added that her critical remarks were meant to be received as a joke and stemmed from personal hurt over not having been invited to the sing the song herself for the Obama inauguration.[39] It was later reported that Alzheimer's disease and "drug-induced dementia" had contributed to her negative comments about Knowles.[40]
In April 2009, at the age of 71, James made her final television appearance, performing "At Last" on the program Dancing with the Stars. In May 2009, she received the Soul/Blues Female Artist of the Year award from the Blues Foundation, the ninth time she won that award. She carried on touring but by 2010 had to cancel concert dates because of her gradually failing health; by this time she was suffering from dementia and leukemia. In November 2011, James released her final album, The Dreamer, to critical acclaim. She announced her retirement at the time of its release.[41]
James' enduring relevance was affirmed in 2011 when the Swedish DJ Avicii achieved substantial chart success with the song "Levels", which samples her 1962 song "Something's Got a Hold on Me". The same sample was used by the east coast rapper Flo Rida in his 2011 hit single "Good Feeling". Both artists issued statements of condolence upon James's death.[42] James' original classic music again charted after these 21st-century re-interpretations.
Style and influence
James possessed the vocal range of a contralto.[43] Her musical style changed during the course of her career. At the beginning of her recording career, in the mid-1950s, James was marketed as an R&B and doo-wop singer.[20] After signing with Chess Records in 1960, James broke through as a traditional pop-styled singer, covering jazz and pop music standards on her debut album, At Last![44] James's voice deepened and coarsened, moving her musical style in her later years into the genres of soul and jazz.[20]
British blues band Chicken Shack recorded Etta James’ 1967 single "I'd Rather Go Blind", which ended up becoming very successful for the band, with Christine McVie singing lead vocals.[53] The single was successful enough that it garnered Christine McVie the Top Female Singer on the Melody Maker's Reader's Poll in 1969.[54]
Personal life
Religion
Through her mother, Dorothy, James was introduced to the Nation of Islam. Dorothy attended occasional meetings at Nation of Islam Temple No. 27 in Los Angeles, and would return to her daughter to relay the teachings.[55] Under the care of her grandparents, however, James was raised Baptist.[12]
In her adult years, James and a friend began attending a NOI Temple in Atlanta, where she found comfort in the preaching of Minister Louis X and the sense of "racial pride". She took on the name Jamesetta X and later joined Malcolm X’s Temple in Harlem, where she remained a member for about a decade.[56] It was in Harlem that James became friends with young boxer Cassius Clay, who later became famous boxing legend Muhammad Ali.[57] However, she confessed she didn't strictly follow their beliefs, later reflecting that it was "something of a fad" and the "radical, the 'in' thing to do" at the time. She continued to consume pork and wear non-conservative clothing during her membership.[55]
Marriage and children
James was married to Artis Mills from 1969 until her death in 2012.[58][59]
James had two sons, Donto James and Sametto James, born to different fathers.[60] Both of her sons became musicians and eventually performed professionally with their mother; Donto played drums at Montreux in 1993, and Sametto played bass guitar circa 2003, among other performances and tours.[61]
Legal difficulties and drug addiction
By the mid-1960s, James suffered from a substance use disorder to heroin. She bounced checks, forged prescriptions and stole from her friends to finance her addiction.[62] James was arrested in 1966 for writing bad checks. She was placed on probation and ordered to pay a $500 fine.[63] In 1969, she spent 10 days in jail for violating probation.[58]
James encountered a string of legal problems during the early 1970s due to her heroin addiction. She was continuously in and out of rehabilitation centers, including the Tarzana Treatment Centers, in Los Angeles, California. Her husband Artis Mills accepted responsibility when they were both arrested for heroin possession, and served a 10-year prison sentence.[64] He was released from prison in 1981.
In 1973, James was arrested for possession of heroin.[65] In 1974, James was sentenced to drug treatment instead of serving time in prison. During this period, she became addicted to methadone and would mix her doses with heroin.[58] She was in the Tarzana Psychiatric Hospital for 17 months, starting at the age of 36, and went through a great struggle at the start of treatment. In her 1995 autobiography Rage to Survive, she said that the time she spent in the hospital changed her life. After leaving treatment, however, her substance abuse continued, particularly after she developed a relationship with a man who was also using drugs.
In 2010, James received treatment for a dependency on painkillers.[66]
Illness and death
James's tomb at Inglewood Park Cemetery
James was hospitalized in January 2010 to treat an infection caused by MRSA, a bacterium resistant to many antibiotics. During her hospitalization, her son Donto revealed to the public that she had been previously diagnosed with Alzheimer's disease in 2008.[40]
James was diagnosed with leukemia in early 2011. The illness became terminal, and her husband Artis Mills was appointed sole conservator of the James estate and to oversee her medical care.[67] She died on January 20, 2012, at age 73, at Riverside Community Hospital in Riverside, California.[68][69] Her death came three days after that of Johnny Otis, the man who had discovered her in the 1950s. Thirty-six days after her death, her sideman Red Holloway also died.[70]
In 1989, the newly formed Rhythm and Blues Foundation included James in their first Pioneer Awards for artists whose "lifelong contributions have been instrumental in the development of Rhythm & Blues music".[45] The following year, 1990, she received an NAACP Image Award, which is given for "outstanding achievements and performances of people of color in the arts;"[74] it was an award she cherished as it "was coming from my own people".[75] In 2020, James was inducted into the National Rhythm & Blues Hall of Fame.
The members of the Blues Foundation, a nonprofit organization set up in Memphis, Tennessee, to foster the blues and its heritage,[84] have nominated James for a Blues Music Award nearly every year since its founding in 1980; and she received some form of Blues Female Artist of the Year award 14 times since 1989, continuously from 1999 to 2007.[85] Her albums Life, Love, & the Blues (1999), Burnin' Down the House (2003), and Let's Roll (2004) were awarded Soul/Blues Album of the Year,[85] and in 2001 she was inducted into the Blues Hall of Fame.[79]
Books
Rage To Survive: The Etta James Story (2003) by David Ritz with Etta James ISBN9780306812620
American Legends: The Life of Etta James (2014) by Charles River Editors, ISBN9781505670493
^James, Etta; Ritz, David (2003). Rage to Survive. Hachette Books. p. 31. ISBN9780306812620. Retrieved May 21, 2011. your mother has passed etta james.
^"Archived copy". members.home.nl. Archived from the original on November 5, 2012. Retrieved January 13, 2022.{{cite web}}: CS1 maint: archived copy as title (link)
^James, Etta; Ritz, David (2003). Rage to Survive. Hachette Books. p. 256. ISBN9780306812620. I felt less conflicted about the NAACP Image Award I won. That was coming from my own people, and I cherished the recognition.
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