In the summer of 1958, local boy Danny Zuko and vacationing Australian Sandy Olsson meet at the beach and fall in love. When the summer comes to an end, Sandy frets that they may never meet again, but Danny tells her that their love is "only the beginning".
At the start of the seniors' term at Rydell High School, Danny resumes his role as leader of the T-Birds greaser gang consisting of Doody, Sonny, Putzie, and his best friend Kenickie. Sandy's parents remain in America and enroll Sandy at Rydell where she meets greaser girl clique the Pink Ladies consisting of Frenchy, Marty, Jan and leader Rizzo.
Danny and Sandy recount their brief romance to their groups, Sandy recalling a romantic summer and Danny implying a more physical experience. When Sandy finally says Danny's name, Rizzo arranges a surprise reunion at a pep rally where Sandy meets Tom, a jock, and Kenickie unveils his new used car, Greased Lightnin', which he plans on street racing after a restoration. Caught between his feelings and his bad-boy reputation, Danny snubs Sandy in front of his gang and she becomes upset.
At a Pink Ladies pajama party, Sandy falls ill from drinking, trying a cigarette, and having her ears pierced by Frenchy. Rizzo, after mocking Sandy's wholesome and chaste personality, departs for sex with Kenickie in his car—they do not use a condom as Kenickie discovers that the one he bought in the seventh grade has broken. They are disturbed by Leo, leader of the rival gang, the Scorpions, and his girlfriend Cha-Cha. After the slumber party comes to an end, Sandy realizes she still loves Danny after all.
The next day, Danny apologizes to Sandy for having brushed her off the previous night and, with Coach Calhoun's help, becomes a runner and successfully wins her back from Tom. However, their friends crash their date, and Kenickie and Rizzo break up after an argument. After a disastrous beauty class leaves Frenchy with candy-pink hair, she drops out of beauty school and reluctantly returns to Rydell to complete her high-school education.
During the school dance, broadcast live on National Bandstand and hosted by DJ Vince Fontaine, Rizzo and Kenickie spite each other by bringing Leo and Cha-Cha as their dates. In a chaotic hand jive contest, Danny and Sandy dance well, but just before the winners are announced, Sonny pulls Sandy away and Cha-Cha cuts in to win with Danny, as Sandy storms out.
Danny tries to make it up to Sandy by taking her to a drive-in theater, but a more direct and pushy advance causes Sandy to flee in horror. Rizzo fears she is pregnant after missing a period and confides in Marty, who tells Sonny, who inadvertently spreads the rumor to the apparent father Kenickie, though Rizzo denies it to him.
On race day, Kenickie is struck in the head by his own car door, so Danny takes the wheel, winning the race after Leo spins out. Sandy, watching from afar and rejoicing for Danny's victory, concludes she still loves him and enlists Frenchy's help in changing her attitude and looks to impress him.
On the last day of school, Rizzo finds she is not pregnant and reunites with Kenickie. At a carnival, Danny and Sandy each find they have changed for each other: Danny has become a letterman, and Sandy a greaser girl. The two depart in the Greased Lightnin' car, which takes flight into the sky.
John Travolta had previously worked with Stigwood on Saturday Night Fever, recorded the top-10 hit "Let Her In" in 1976, and had previously appeared as Doody in a touring production of the stage version of Grease. As part of a three-picture deal with Stigwood, Travolta was given the lead role after Henry Winkler (then starring as Arthur "Fonzie" Fonzarelli on Paramount's TV seriesHappy Days) turned down the role for fear of being typecast as a greaser.[14] (Winkler would later regret the decision.)[14][15] Director Randal Kleiser had never directed a theatrical feature before this but had directed Travolta in the 1976 telefilm The Boy in the Plastic Bubble; Kleiser and Travolta developed a close platonic bond over the course of production, helping Travolta maintain focus as he grieved the death of Diana Hyland (his girlfriend at the time and his on-screen mother in Bubble).[14] Before Newton-John was hired, Allan Carr was considering numerous names such as Carrie Fisher,[16][17]Ann-Margret, Deborah Raffin,[18]Susan Dey and Marie Osmond for the lead role. Fisher, who had recently finished Star Wars, was ultimately rejected because neither Stigwood nor Carr knew if she could sing.[14] Osmond almost took the role before she realized the extent to which the character transformed into a rebel and turned it down[19] to star in Goin' Coconuts instead. Carr eventually chose Newton-John after a chance encounter at a soireé hosted by Helen Reddy.[20] Newton-John had done little acting before this film, with only two film credits (1965's Funny Things Happen Down Under and the little-seen 1970 film Toomorrow, which predated her singing breakthrough) to her name up to that time; she requested a screen test prior to accepting the role.[20] Newton-John agreed to a reduced asking price in exchange for star billing and the ability to rewrite the script, which included changing her character's origin to an Australian immigrant (to avoid having to emulate an American accent) and making her less passive.[20] In a case of life imitating art, Newton-John's own musical career would undergo a transformation similar to that of the Sandy Olsson character; her next album after Grease, the provocatively titled Totally Hot, featured a much more sexual and pop-oriented approach, with Newton-John appearing on the album cover in similar all-leather attire and teased hair.[21]
Lucie Arnaz auditioned for the part of Rizzo, but a talent client of Carr, Stockard Channing, was cast, several years after her last major film role and debut in The Fortune.[14] At 33 she was the oldest cast member to play a high school student, and Kleiser made her and the other actors playing students take a "crow’s feet test" to see whether they could pass for younger in close-ups.[14] Softer focus was used on some of the older actors' faces.[19] Channing lobbied heavily to keep the climactic song "There Are Worse Things I Could Do" in the score over Carr's objections.[19]
Elvis Presley was considered for the role of The Teen Angel but died before production.[19] Marie Osmond's brother and duet partnerDonny Osmond was another potential Teen Angel before Avalon was cast,[19] as was Frankie Valli, who had been given the choice of either singing the theme or appearing as the Teen Angel (he chose the former).[22] The role would revive Avalon's career.[23]
Jeff Conaway, like Travolta, had previously appeared in the stage version of Grease; he had played Danny Zuko during the show's run on Broadway. He did not get to perform Kenickie's featured number "Greased Lightnin'" due to Travolta's influence and desire to have that song for himself.[19]Jamie Donnelly reprised her role as Jan from the Broadway show, the only cast member to do so; as her hair had begun to gray by this point, she had to dye her hair to resemble her stage character.[24]Kelly Ward had previously appeared as a similar sarcastic supporting character in The Boy in the Plastic Bubble with Travolta under Kleiser; he was cast as Putzie, a mostly new character.
Lorenzo Lamas was a last-minute replacement for Steven Ford, who developed stage fright shortly before filming and backed out, and Mark Fidrych, who ran into conflicts with his full-time career as a baseball player. His role contained no spoken dialogue and required Lamas to bleach his hair to avoid looking like one of the T-Birds.[24][19]
Adult film star Harry Reems was originally signed to play Coach Calhoun; however, executives at Paramount nixed the idea, concerned that his reputation as a porn star would hinder box office returns in the Southern United States,[25] and producers cast Sid Caesar instead.[26] Caesar was one of several veterans of 1950s television (Eve Arden, Frankie Avalon, Joan Blondell, Edd Byrnes, Alice Ghostley, Dody Goodman) to be cast in supporting roles; Paul Lynde was considered for the role Arden ultimately filled,[19] with a scene conceived for Lynde that would have had him in a Carmen Miranda outfit.[14] Coincidentally, Frankie Avalon and Randal Kleiser had both appeared in 1966's Fireball 500, the latter as an extra.
Filming locations
The opening beach scene was shot at Malibu's Leo Carrillo State Beach, making explicit reference to From Here to Eternity. The exterior Rydell scenes, including the front parking lot scenes, the auto shop, the “Summer Nights” bleachers number, Rizzo's “There Are Worse Things I Can Do” number, the basketball, baseball, and track segments, and the interior of the gymnastics gym, were shot at Venice High School in Venice, California, during the summer of 1977. The Rydell interiors, including the high school dance, were filmed at Huntington Park High School. The sleepover was shot at a private house in East Hollywood. The Paramount Pictures studio lot was the location of the scenes that involve Frosty Palace and the musical numbers "Greased Lightning" and "Beauty School Dropout". The drive-in movie scenes were shot at the Burbank Pickwick Drive-In (it was closed and torn down in 1989 and a shopping center took its place). The race was filmed at the Los Angeles River, between the First and Seventh Street Bridges, where many other films have been shot.[27] The final scene where the carnival took place used John Marshall High School in Los Feliz.[28] Furthermore, owing to budget cuts, a short scene was filmed at Hazard Park in Los Angeles.
Post-production
Scenes inside the Frosty Palace contain obvious blurring of various Coca-Cola signs.[29] Prior to the film's release, producer Allan Carr had made a product placement deal with Coca-Cola's main competitor Pepsi (for example, a Pepsi logo can be seen in the animated opening sequence animated by John David Wilson at Fine Arts Films[30]). When Carr saw the footage of the scene with Coca-Cola products and signage, he ordered director Randal Kleiser to either reshoot the scene with Pepsi products or remove the Coca-Cola logos from the scene. As reshoots were deemed too expensive and time-consuming, optical mattes were used to cover up or blur out the Coca-Cola references. The 'blurring' covered up trademarked menu signage and a large wall poster, but a red cooler with the logo could not be sufficiently altered so was left unchanged. According to Kleiser, "We just had to hope that Pepsi wouldn't complain. They didn't."[31][32]
Due to an editing error, a closing scene in which Danny and Sandy kiss was removed from the finished print and lost before its theatrical release. The scene was preserved only in black-and-white; Kleiser attempted to have the existing footage colorized and restored to the film for the film's re-release in 1998 but was dissatisfied with the results. The scene is included as an extra on the 40th anniversary home video release, and Kleiser hopes to make another attempt at colorizing the footage that is effective enough for the footage to be inserted into the film as he originally intended by the time the film's 50th anniversary comes in 2028.[33]
Release
Grease was originally released in the United States on June 16, 1978, and was an immediate box-office success. In its opening weekend, the film grossed $8,941,717 in 862 theaters in the United States and Canada, ranking at number 2 (behind Jaws 2) at the box office for the weekend[34] and with the all-time opening weekend records.[35] Despite losing the opening weekend, it topped the box office the following weekend with a gross of $7,867,000 and set a record gross in its first 19 days, with $40,272,000.[36][37] After 66 days, it had grossed $100 million to become Paramount's second-highest-grossing film, behind The Godfather, and ended its initial run with a gross of $132,472,560,[38][39] which made it the highest-grossing film in 1978.[40]
In the United Kingdom, it opened with a record $2.2 million in its first eight days.[41] It went on to become the highest-grossing film in the UK, with a gross of £14.7 million.[42]
It was re-released May 18, 1979, in 1,248 theatres in the United States and Canada (except for the New York City area, where it opened a week later), Paramount's biggest ever saturation release at the time, grossing $4.5 million in its opening weekend.[38][39] The film played for four weeks and was then paired with the PG-rated version of Saturday Night Fever in late June.[39] During the reissue, it overtook The Godfather as Paramount Pictures' highest-grossing film.[43] It was re-released in March 1998 for its 20th anniversary, where it grossed a further $28 million in the United States and Canada.[2]
It remained the highest-grossing live-action musical until 2012 when it was overtaken by Les Misérables,[44] and it remained the US champion until 2017 when it was surpassed by Beauty and the Beast, and again in 2024 with Wicked, the first installment of that musical's two-part adaptation.[45] Discounting inflation, Grease is now the seventh-highest-grossing live-action musical worldwide.[44][46]
A further re-issue for its 40th anniversary in 2018 grossed $1 million.[2] To date, Grease has grossed $189,969,103 domestically and $206.2 million internationally, totaling $396 million worldwide.[2] Another re-issue took place in select AMC Theatres locations in August 2022 to honor Olivia Newton-John following her death earlier that month, with $1 per sold ticket and the proceeds going to breast cancer research, through a donation by AMC Cares.[47] Similarly, in the UK, selected Merlin Cinemas venues also reissued the film during August, but partnered with Macmillan Cancer Support, with a contribution of £1 per ticket sold.
Reception
Grease is considered by many as one of the best films of 1978.[48][49][50]Metacritic, which uses a weighted average, assigned the film a score of 70 out of 100, based on 15 critics, indicating "generally favorable" reviews.[51] On Rotten Tomatoes, the film holds a 66% approval rating based on 156 reviews. The website's critical consensus reads, "Word is, Grease stars an electrifying John Travolta while serving up some '50s kitsch in a frenetic adaptation that isn't always the one that we want."[52]
First reviews were mixed. [53]The New York Times'Vincent Canby called the film "terrific fun", describing it as a "contemporary fantasy about a 1950s teen-age musical—a larger, funnier, wittier and more imaginative-than-Hollywood movie with a life that is all its own". Canby compared Grease to Don't Knock the Rock (1956) and Beach Party (1963), calling it a "multimillion-dollar evocation" of these "B-picture quickies".[54]Gene Siskel gave the film three stars out of four, calling it "exciting only when John Travolta is on the screen" but still recommending it to viewers, adding, "Four of its musical numbers are genuine showstoppers that should bring applause."[55]Variety praised the "zesty choreography and very excellent new plus revived music", and thought Travolta and Newton-John "play together quite well."[56]
Charles Champlin of the Los Angeles Times was negative, writing, "I didn't see Grease onstage, but on the testimony of this strident, cluttered, uninvolving and unattractive movie, it is the '50s—maybe the last innocent decade allowed to us—played back through a grotesquely distorting '70s consciousness."[57] Gary Arnold of The Washington Post also panned the film, writing, "Despite the obvious attempts to recall bits from Stanley Donen musicals or Elvis Presley musicals or Frankie-and-Annette musicals, the spirit is closer to the New Tastelessness exemplified by Ken Russell, minus Russell's slick visual style [...] I've never seen an uglier large-scale musical."[58]David Ansen of Newsweek wrote, "Too often, Grease is simply mediocre, full of broad high-school humor, flat dramatic scenes and lethargic pacing. Fortunately, there's nothing flat about John Travolta [...] when he's on screen you can't watch anyone else."[59]
In a 1998 retrospective review, Roger Ebert gave the film 3 out of 4 stars, calling it "an average musical, pleasant and upbeat and plastic." He found John Travolta's Elvis Presley–inspired performance to be the highlight, but felt that Grease "sees the material as silly camp."[60] In 2018, Peter Bradshaw from The Guardian gave it 5 out of 5 stars, saying "It's still a sugar-rush of a film."[61]Grease was voted the best musical ever on Channel 4's 100 greatest musicals in 2004.[62] The film was ranked number 21 on Entertainment Weekly's list of the 50 Best High School Movies.[63][64]
In recent years, the film has been reassessed for what some critics have deemed as discriminatory and problematic content.[65] Bryn Gelbart from Business Insider wrote that the film had not aged well, describing it as preaching an "unfortunate message" with aspects that could be "considered regressive by today's standards".[66] Kristen Baldwin of Entertainment Weekly wrote that the ending of the film was "decidedly un-feminist".[67] Katy Hall of The Sydney Morning Herald said that the film was "deeply problematic" but also "ahead of its time."[65] Joe Hildebrand of News.com.au defended the film, saying that it "isn’t horribly sexist and offensive, it’s just that its characters say and do horrible, sexist and offensive things [...] In short, they’re a lot like, well, people."[68] A 2020 showing of film on the BBC drew complaints from viewers and renewed criticism.[69] Olivia Newton-John responded to the criticism, calling the comments "silly" and saying that the film isn't meant "to be taken so seriously."[70]
Home media
Grease was released in the US on VHS by Paramount Home Video in 1979, 1982, 1989, 1992 and 1994; the last VHS release was on June 23, 1998, and was titled the 20th Anniversary Edition following a theatrical re-release that March.[71] This one was THX certified and consisted of widescreen and pan and scan fullscreen versions.[71]
On September 24, 2002, it was released on DVD for the first time. On September 19, 2006, it was re-released on DVD as the Rockin' Rydell Edition, which came with a black Rydell High T-Bird jacket cover, a white Rydell "R" letterman's sweater cover, or the Target-exclusive Pink Ladies cover. It was released on Blu-ray Disc on May 5, 2009.
On March 12, 2013, Grease and Grease 2 were packaged together in a double feature DVD set from Warner Home Video.
In connection with the film's 40th anniversary, Paramount released Grease on 4K Ultra HD Blu-ray, Blu-ray and DVD on April 24, 2018.[72]
Grease 2 (1982) stars Maxwell Caulfield and Michelle Pfeiffer. While several of the Rydell High staff characters reprise their roles, the sequel focused on the latest class of graduating seniors, hence most of the principals from Grease did not appear. Patricia Birch, the original film's choreographer, directed the sequel. The original musical's cocreator Jim Jacobs, who was not involved in the making of Grease 2, has disowned the film.
Sing-along version
On July 8, 2010, a sing-along version of Grease was released to selected theaters around the U.S.[77] A trailer was released in May 2010, with cigarettes digitally removed from certain scenes, implying heavy editing; however, Paramount confirmed these changes were done only for the film's advertising,[78] and the rating for the film itself changed from its original PG to that of PG-13 (as that rating had not been introduced until 1984) for "sexual content including references, teen smoking and drinking, and language."[79] The film was shown for two weekends only; additional cities lobbied by fans from the Paramount official website started a week later and screened for one weekend.[80]CBS aired this version of the film on June 7, 2020.[81]
Prequel
In March 2019, it was announced that a prequel, called Summer Lovin', was in development from Paramount Players. The project would be a joint-production collaboration with Temple Hill Productions and Picturestart. John August signed on to serve as screenwriter.[9] As of August 2024, there has been no further word on the project.
The soundtrack album ended 1978 as the second-best-selling album of the year in the United States, exceeded only by another soundtrack album, from the film Saturday Night Fever, which also starred Travolta.[5] The song "Hopelessly Devoted to You" was nominated for an Academy Award for Best Music – Original Song. The song "You're the One That I Want" was released as a single prior to the film's release and became an immediate chart-topper, despite not being in the stage show or having been seen in the film at that time.[82] Additionally, the dance number to "You're the One That I Want" was nominated for TV Land's award for "Movie Dance Sequence You Reenacted in Your Living Room" in 2008.[83] In the United Kingdom, the two Travolta/Newton-John duets, "You're the One That I Want" and "Summer Nights", were both number one hits and as of 2018[update] were still among the 30 best-selling singles of all time (at Nos. 5 and 28, respectively).[84] The film's title song was also a number-one hit single for Frankie Valli.[85]
The song "Look at Me, I'm Sandra Dee" refers to Sal Mineo in the original stage version. Mineo was stabbed to death a year before filming, so the line was changed to refer to Elvis Presley instead. The references to Troy Donahue, Doris Day, Rock Hudson and Annette Funicello are from the original stage version. Coincidentally, this scene as well as the scene before and the scene after it were filmed on August 16, 1977, the date of Presley's death.[86]
Some of the songs were not present in the film; songs that appear in the film but not in the soundtrack are "La Bamba" by Ritchie Valens, "Whole Lotta Shakin' Goin' On" by Jerry Lee Lewis, "Alma Mater", "Alma Mater Parody", and "Rydell Fight Song". "Alone at a Drive-in Movie (Instrumental)", "Mooning", and "Freddy My Love" are not present in the film, although all three are listed in the end credits in addition to being on the soundtrack. (Both "Mooning" and "Rock'n'Roll Party Queen", the latter of which was played in the film as background music, were written in the musical for a character named Roger that was written out of the film, replaced by the non-singing Putzie. In general, all of the songs in the musical that were performed by characters other than Danny, Rizzo, Sandy, Johnny Casino, or the Teen Angel were either taken out of the film or given to other characters, including Marty Maraschino's number "Freddy My Love", Kenickie's "Greased Lightnin'", and Doody's "Those Magic Changes".) Two songs from the musical, "Shakin' at the High School Hop" and "All Choked Up", were left off both the film and the soundtrack.
The songs appear in the film in the following order:
On August 17, 2009, a television series inspired by the film premiered in Venezuela. The series was produced and directed by Vladimir Perez. The show explores and expands on the characters and story from the film.[87][88]
On October 15, 2019, it was announced that a musical television series based on Grease, titled Grease: Rydell High, was given a straight-to-series order by HBO Max.[90] Annabel Oakes is set to write the pilot episode and act as executive producer for the series.[91] In 2020, the series' title was changed to Grease: Rise of the Pink Ladies. It premiered on Paramount+[92] April 6, 2023. Filming began in January 2022, and the series' cast was announced at the end of the month.[93]Rise of the Pink Ladies released ten episodes in spring 2023 before the series was cancelled and withdrawn from public availability in June.[94]
^ abHofler, Robert (2010). Party Animals: A Hollywood Tale of Sex, Drugs, and Rock 'N' Roll Starring the Fabulous Allan Carr. ReadHowYouWant.com. p. 145. ISBN9781459600072. Despite the fact that Grease was well on its way to becoming the highest-grossing movie musical in the world, and eventually grossed over $341 million...
^Itzkoff, Dave (May 21, 2005). "The Afterlife of a Porn Star". New York Magazine. New York Media, LLC. Archived from the original on October 1, 2011. Retrieved May 8, 2011.
^Hofler, Robert (2010). Party Animals: A Hollywood Tale of Sex, Drugs, and Rock 'n' Roll Starring the Fabulous Allan Carr. Da Capo Press. p. 66. ISBN978-0-306-81655-0.
