Born on October 21, 1911, in McAlester, Oklahoma, Mary Browne Robinson moved to Texas while still a small child, and later to the city of Morgan Hill, California, in the early 1920s.[2] After graduating from San José State University which she attended from 1929 to 1931,[2] Mary won a scholarship to the Chouinard Art Institute[3] in Los Angeles, where artists such as Pruett Carter, Morgan Russell and Lawrence Murphy were among the teachers. She graduated from Chouinard in 1933. In 1934 shortly after college, she married another artist, Lee Everett Blair (October 1, 1911 – April 19, 1993). She was the sister-in-law of animatorPreston Blair (1908–1995). Along with her husband Lee, she became a member of the California School of Watercolor[4] and quickly became known for being an imaginative colorist and designer.
Career
Blair's first professional job in the animation industry was as an animator with Metro-Goldwyn-Mayer.[5] She would soon leave and join Lee Blair at the Ub Iwerks studio before moving to Disney. In the 1930s she was also a part of the innovative California Water-Color Society.[5]
Blair joined Walt Disney Animation Studios—initially with some reluctance—[6] in 1940, and worked briefly on art for Dumbo, an early version of Lady and the Tramp, and a second version of Fantasia titled "Baby Ballet"[5] which was not released until the late 1990s. After some time, Blair decided to leave the studio in 1941, feeling artistically restrained and unsatisfied with the work given to her. [7][8]
Blair first began animation and color design on major films in 1943 and would continue to work on animated films for Disney for a full decade.[12] This would not be widely celebrated by others though, as many animators who worked alongside her had trouble bringing her 2D paintings to life and many seemed confused on her unique use of colors.[7] Despite this, her work with animation did not end there however as after that, she worked on several package films, excluding Fun and Fancy Free, and on two partially animated features—Song of the South and So Dear to My Heart.[13] The early 1950s were a busy time for the Disney studio, with an animated feature released nearly every year. Mary Blair was credited with color styling on Cinderella (1950), Alice in Wonderland (1951) and Peter Pan (1953), and the artistic influence of her concept art is strongly felt in those films, as well as in several animated shorts, including Susie the Little Blue Coupe and The Little House, she designed during that period.[14] Some of Mary Blair's work, notably in So Dear to My Heart, was inspired by quilts.[13][7] In a letter to Walt Disney, Blair discussed her interest to incorporate quilts into So Dear to My Heart: "It seems that quilt making is a revived art in this country now, which fact adds more value to its use as a medium of expression in our picture."[15]
Blair created murals that would be showcased in Disney parks, hotels and other Disney attractions from California to Florida. These murals were not only painted but some would be tile decor.[5]
In 1966, philanthropist Dr. Jules Stein hired Walt Disney to create a ceramic mural for his newly opened Eye Institute at the University of California, Los Angeles. Mary Blair designed the mural for Dr. Stein's Pediatric Surgery waiting room. The theme Walt chose for the mural was that of "It's a Small World" attraction designed by Blair. In 1967, Blair created mural art for the Tomorrowland Promenade. Two similar tile murals flanked the entrance corridor. The mural over Adventure Thru Inner Space was covered over in 1987 with the opening of Star Tours, while the other remained in place until 1998 when the Circle-Vision 360° was replaced by Rocket Rods and a new mural was designed to reflect the new theme. Her design of a 90-foot-high (27 m) mural remains a focal point of the Disney's Contemporary Resort hotel at Walt Disney World, which was completed for the resort's opening in 1971.[5]
Mary Blair would also go on to make sets of Walt Disney note cards for Hallmark. In 1968, Blair was credited as color designer on the film How To Succeed In Business Without Really Trying.[16] Blair would eventually move to Washington for Lee Blair's military career and then return to her in home studio located in Long Island, New York.[16]
In 1991, she was honored as a Disney Legend.[19] Also posthumously, she received the Winsor McCay Award from ASIFA-Hollywood in 1996 along with two other Disney animators.
While the fine art she created outside of her association with Disney and her work as an illustrator is not widely known, Blair's bold and groundbreaking color design still inspires many of today's contemporary designers and animators. A Googledoodle was created on Friday, October 21, 2011, to commemorate the centennial of her birth. The Doodle featured an image of an illustrator as Mary might have drawn herself, surrounded by the simple patterns and shapes that made up her familiar cartoon world.[20] Simon & Schuster published Pocket Full of Colors, a picture book biography about Mary Blair, in August 2017.[21] The book is written by Amy Guglielmo and Jacqueline Tourville, and illustrated by Brigette Baranger, who once worked as an artist at Disney.
Mary Blair has been credited with introducing modernist art styles to Walt Disney and his studio by using primary colors to form intense contrast and colors that are unnatural to the image they are depicting.[5]
Blair's artwork was exhibited in The Colors of Mary Blair at the Museum of Contemporary Art, Tokyo, July 2009. From March 13 to September 7, 2014, the Magic, Color, Flair: The World of Mary Blair exhibition was on display at the Walt Disney Family Museum in San Francisco Presidio, California.[6]
In 2022, a mural of Blair was unveiled in her hometown of McAlester, Oklahoma. Painted by local artist Carmen Taylor, the mural depicts Blair surrounded by fantastical vines and a gold stopwatch, references to Cinderella (1950) and Alice in Wonderland (1951), respectively.[22] The mural is on the side of the Honey Beene Boutique in downtown McAlester.[23]
There is a visual representation of Blair in Disneyland's It's A Small World ride; she is rendered as a little girl halfway up the Eiffel Tower, holding a balloon.[24]
Selected artwork
Blair, Mary (1941), Street Market Card, South America
Blair, Mary (1971), "Mosaic", Contemporary Resort, Disney.
Concept art for "It's a Small World" by Mary Blair. On display at the Disneyland Hotel.
Blair's Mural at the Contemporary Resort
Bibliography
Blair, Mary; McHugh, Gelolo (2010) [1950], Baby's House, Little Golden Books, Simon & Schuster, ISBN978-0-375-85460-6.
^Beaty, James. "Mary Blair mural dedication set for Friday". McAlester News-Capital. Published on Yahoo! News October 18th, 2022. Accessed February 22nd, 2023.
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