"Ol' Man River" is a show tune from the 1927[5]musicalShow Boat with music by Jerome Kern and lyrics by Oscar Hammerstein II, who wrote the song in 1925. The song contrasts the struggles and hardships of African Americans with the endless, uncaring flow of the Mississippi River. It is sung from the point of view of a black stevedore on a showboat,[6][7] and is the most famous song from the show. The song is meant to be performed in a slow tempo; it is sung complete once in the musical's lengthy first scene by the stevedore "Joe" who travels with the boat, and, in the stage version, is heard four more times in brief reprises. Joe serves as a sort of musical one-man Greek chorus, and the song, when reprised, comments on the action, as if saying, "This has happened, but the river keeps rolling on anyway."[citation needed]
The song is notable for several aspects: the lyrical pentatonic-scale melody, the subjects of toil and social class, the metaphor to the Mississippi, and as a bass solo (rare in musicals, solos for baritones or tenors being more common).
Paul Whiteman and His Orchestra had a hit recording of the song in early 1928, in a much faster tempo than Kern and Hammerstein intended, featuring Bing Crosby on vocals and Bix Beiderbecke on cornet.[8] A second version was recorded on March 1, with Paul Whiteman and his Concert Orchestra and bass singerPaul Robeson on vocals, sung in a dance tempo. The latter was inducted into the Grammy Hall of Fame in 2006, and a 1936 rendition by Robeson also finished No. 24 in AFI's 100 Years...100 Songs 2004 survey of top tunes in American cinema. Its musical composition entered the public domain on January 1, 2023.[9]
Early versions
The song was first performed in the original stage production of Show Boat on December 27, 1927, by Jules Bledsoe, who also sang it in the part-talkie 1929 film, although that film version had little to do with the stage musical. Bledsoe also recorded the song years later. However, the most famous rendition of it, one that is still noted today, was sung by Paul Robeson in James Whale's classic 1936 film version of Show Boat. The role of Joe in the musical was originally written with Robeson in mind, but Robeson declined the role in the 1927 production due to scheduling conflict. Robeson, however, accepted the role for its 1928 London production and 1932 Broadway revival. He also performed the song three times in the show instead of the one originally written.[10] In New York, Bhupen Hazarika befriended him, who influenced him. He used music as the “instrument of social change” following the path of Paul Robeson who once told him about his guitar - “Guitar is not a musical instrument, it is a social instrument.” His song Bistirno Dupare which is based on the tune, imagery and theme of Robeson's Ol' Man River. This song is translated in various Indian languages, including Bengali and Hindi and sung by the artist himself, and is still popular.
The first known recording of the song was by "Kenn" Sisson and His Orchestra, recorded on December 27, 1927, with Irving Kaufman on vocals.[11] Robeson recorded the song with Paul Whiteman and his Concert Orchestra in 1928, and multiple times in the 1930s.[12]
From the show's opening number "Cotton Blossom", the notes in the phrase "Cotton Blossom, Cotton Blossom" are the same notes as those in the phrase "Ol' Man River, dat Ol' Man River," but inverted. However, "Cotton Blossom" was written first, and "Ol' Man River" was written only after Kern and Hammerstein realized they needed a song to end the first scene in the show. Hammerstein decided to use the idea of the Mississippi River as a basis for the song and told Kern to use the melody that the stevedores sang in "Cotton Blossom" but invert some of it, and slow down the tempo. This inversion gave "Ol' Man River" a tragic quality.[13][14][15][16]
Robeson's alterations to song lyrics
Beginning about 1938 to the end of his career, Paul Robeson changed a few of the lyrics of "Ol' Man River" when singing it at recitals but never in actual stage performances of Show Boat and not in the 1936 film version.[6] (In addition to the 1928 and 1932 stage productions as well as the 1936 film version, he appeared in a Los Angeles stage revival in 1940.) Except for the change of the word "niggers" to "darkies", the lyrics of the song as Robeson performed it in the 1936 film version of the show remain exactly as Oscar Hammerstein II originally wrote them in 1927. However, after 1938, Robeson would record the song only with the lyrics that he had used in his post-1936 concert recitals.
In the 1978 one-man play Paul Robeson, by Phillip Hayes Dean, there is a (perhaps fictitious) reference to the change in the lyrics - an unseen interviewer asks Robeson (played by James Earl Jones) about the original lyrics, and he responds "No, I don't sing it that way anymore".[17]
In the 1951 film version of Show Boat, as well as the 1962 studio recording and the 1966 Lincoln Center revival of the show, William Warfield sang only the introductory verse and the lyrics to the main section of the song, and omitted what could be considered a controversial section, in contrast to both Jules Bledsoe (who sang it in the prologue to the 1929 film version) and Robeson (who sang the whole song in the 1936 film). The section that Warfield omitted begins:
Niggers all work on de Mississippi,
Niggers all work while de white folks play...
In the 1936 film, the word "niggers" was changed to "darkies". Ever since the 1946 revival, the term has been changed to "colored folks", although there have been revivals that change the lines to Here we all work on de Mississippi,/ Here we all work while de white folks play. Al Jolson sang a version starting with "lots of folks work on the Mississippi." Also, the phrase "feared of dyin' " (rather than "skeered of dyin' ") has been sung in some recordings,[7] notably Lawrence Tibbett's 1930s version, Gordon MacRae's 1950s version (first heard on The Railroad Hour), and Frank Sinatra's 1946 performance, first heard in the film Till the Clouds Roll By.
Robeson's own 1938 changes in the lyrics of the song are as follows:
Instead of "Dere's an ol' man called de Mississippi, / Dat's de ol' man that I'd like to be...", Robeson sang "There's an ol' man called the Mississippi, / That's the ol' man I don't like to be"..."
Instead of "Tote that barge! / Lift that bale! / Git a little drunk, / An' you land in jail...", Robeson sang "Tote that barge and lift dat bale!/ You show a little grit / And you lands in jail.."
Instead of "Ah gits weary / An' sick of tryin'; / Ah'm tired of livin' / An skeered of dyin', / But Ol' Man River, / He jes' keeps rolling along!", Robeson sang "But I keeps laffin'/ Instead of cryin' / I must keep fightin'; / Until I'm dyin', / And Ol' Man River, / He'll just keep rollin' along!"[18] In Scene 7 of Act II of the show, Joe does sing this verse, but rather than singing "I must keep fightin' until I'm dyin", sings "I must keep livin' until I'm dyin,/ But Ol' Man River,/ He jes' keeps rollin' along!" According to the 1988 EMI album of Show Boat, these are Hammerstein's authentic lyrics for this reprise.
In recitals and in several of his many recordings of the song, Robeson also omitted the controversial section "Niggers all work on de Mississippi...", etc., with its middle portion "Don't look up/ An' don't look down/ You don't dast make / De white boss frown", etc., as well as its concluding "Lemme go ' way from de Mississippi/ Lemme go ' way from de white man boss, etc." . However, Robeson did include a portion of these lyrics in the 1932 4-record 78 rpm album of selections from Show Boat.
Gordon MacRae's version of the song, as performed on The Railroad Hour radio program (late 1940s or 1950s), changed the phrase "white man boss" to "big man boss".[19]
The Temptations, in their rendition on The Temptations in a Mellow Mood (1967), changed any references to the "white man boss" to "rich man boss", as well as "Here we all work while the white boys play" to "Here we all work while the rich boys play".
While Robeson's changes to the lyrics were mostly sung by himself, Leon and Eric Bibb together sang a changed version in their 2006 tribute album Praising Peace: A Tribute to Paul Robeson, and a clip exists of William Warfield singing the song with the changes that Robeson incorporated into it.[20]
See also
Spirituals – also known as Negro spirituals - is a genre of songs originating in the US and created by African-Americans describing the hardships of slavery
^ abMaslon, Laurence (13 October 2004). Broadway: The American Musical: Michael Kantor and Laurence Maslon: 9780821229057: Amazon.com: Books. Bulfinch. ISBN0-8212-2905-2.
^ ab"Lesson: Ol' Man River" (school lesson for Mississippi River), Michael E. Marrapodi, New Covenant Christian School, Ashland, Massachusetts, 2006, webpage: MassGeo-RiverArchived 2007-12-31 at the Wayback Machine: shows phrase "feared of dyin' " (rather than "skeered" of dying) as sung in earlier recordings.
^Dean, Phillip Hayes (1997). Paul Robeson.: Phillip Hayes Dean, Phillip Hayes Dean: 9780822215158: Amazon.com: Books. Dramatists Play Service. ISBN0-8222-1515-2.
^Sarah Lennox (2011). "Reading Transnationally: the GDR and American Black Writers" in Elaine Kelly, Amy Wlodarski (eds.), Art Outside the Lines: New Perspectives on GDR Art Culture. Editions Rodopi. ISBN978-90-420-3341-2. p.124
