At first, the sign of Christianity was the image of a fish. Fish in Old Greek - ἰχθύς ("ichthys (ichthus)"), which corresponds to the abbreviation of the Christian postulate "Ἰησοῦς Χριστός, Θεοῦ Υἱός, Σωτήρ" (ΙΧΘΥΣ) - "Jesus Christ - B God's Son Savior"
The star and crescent symbol was used as the flag of the Ottoman Empire from 1844. It was only gradually associated with Islam, in particular due to its ubiquitous use in the decorations of Ottoman mosques in the late 19th century. It was only occasionally adopted as an emblem of Islamic organisations, such as the All-India Muslim League in 1940 (later becoming the Flag of Pakistan), and the US American Nation of Islam in the 1970s.
The strong tradition of aniconism in Islam prevented the development of symbols for the religion until recently (other than single-coloured flags, see Green in Islam, Black Standard). The lack of a symbol representing Islam as a religion paired with the desire to come up with national flags for the newly formed Islamist states of the 1970s led to the adoption of written text expressing core concepts in such flags: the shahada in the flag of Saudi Arabia (1973). The Flag of Iraq (2008) and the Flag of Iran (1979) has the takbir.
The Wheel has been used as a symbol for the concept of Dharma since at least the 3rd century BC. It represents Gautama Buddha's teaching of the path to Nirvana. It is incorporated in the emblems of Buddhist organizations in India, Sri Lanka and Mongolia. It has been defined as representing Buddhism as a religious tradition as one of the United States military chaplain symbols in 1990.[3][4] However, in most countries where Mahayana Buddhism is prevalent such as China, Taiwan, Korea and Japan, the Swastika is traditionally used as the symbol of Buddhism instead of the Dharma Wheel.
According to the Abjad system of Isopsephy, the word Bahá' has a numerical equivalence of 9, and thus there is frequent use of the number 9 in Baháʼí symbols.[5] It was recognized as a grave marker by the United States Department of Veterans Affairs in 2005.
The Druze strictly avoid iconography, but use five colors ("Five Limits") on their Druze star and Druze flag as a religious symbol:[7][8][9] green, red, yellow, blue, and white. Each color pertains to a metaphysical power called ḥadd, literally "a limit", as in the distinctions that separate humans from animals, or the powers that make human the animalistic body. Each ḥadd is color-coded in the following manner: Green for ʻAql "the Universal Mind/Intelligence/Nous", Red for Nafs "the Universal Soul/Anima mundi", Yellow for Kalima "the Word/Logos", Blue for Sabiq "the Potentiality/Cause/Precedent", and White for Tali "the Future/Effect/Immanence".
The Angel Moroni is an important figure in the theology of the Latter Day Saint movement, and is featured prominently in Mormon architecture and art. An angel with trumpet motif was first used as the weather vane for the 1844 Nauvoo Temple, and starting with the 1892 Salt Lake Temple, most LDS temples feature an Angel Moroni statue, including the rebuilt 2002 Nauvoo Illinois Temple.
The syllable "om" or "aum" is first described as all-encompassing mystical entity in the Upanishads. Hindus believe that as creation began, the divine, all-encompassing consciousness took the form of the first and original vibration manifesting as sound Om.[10] Before creation began there was shunyākāsha, the emptiness, or the void. The vibration of Om symbolises the manifestation of God in form (sāguna brahman). Om is the reflection of the absolute reality, it is said to be "Adi Anadi", without beginning or the end and embracing all that exists.[10] The mantra Om is the name of God, the vibration of the Supreme. When taken letter by letter, A-U-M represents the divine energy (shakti) united in its three elementary aspects: Brahma Shakti (creation), Vishnu Shakti (preservation) and Shiva Shakti (liberation, and/or destruction).[10]
Chakra (meaning "wheel, circle") is psychic-energy centers, an Bhuwana (meaning "earth, universe"). Since prehistoric times the tribes of the Indonesian Archipelago often revered earth and nature spirits as a life giving mother, a female deity of nature. Chakra Bhuwana is form representing an earth, centers of earth, and four mountain. in Javanism: earth is the mother and sky is the father.
The Javanism Calligraphy Hyang is an unseen spiritual entity that has supernatural power in ancient Indonesian mythology. This spirit can be either divine or ancestral. The reverence for this spiritual entity can be found in Sunda Wiwitan, Kejawen, and Balinese Hinduism. In the modern Indonesian this term tends to be associated with gods, devata, or God.
Jewish flags featuring hexagrams alongside other devices appear from as early as the 14th or 15th century CE. Use of the Star of David as representing the Jewish community is first recorded in Vienna in the 17th century CE.[11]
The Menorah, originally a symbol from the Temple in Jerusalem, became a symbol of Jewish communities after the destruction and exile. Eventually it was overtaken in popularity by the Star of David, but is still used to this day.[12]
Mithraism is notable for its extensive use of graphical symbols, mostly associated with astrological interpretations. The central symbol is the scene of Mithras slaying the bull; Mithras could also be symbolized in simplified form by representing a Phrygian cap.
During the gradual Christianization of Scandinavia, from roughly 900 to 1100 CE, there was a fashion of wearing Thor's Hammer pendants, apparently in imitation of the Cross pendants worn by Christians. These pendants have been revived since the 1970s in Germanic Neopaganism.
The tetractys is a triangular figure of four rows adding up to the number ten, which ancient Pythagoreans regarded as the "perfect number".[13] Pythagoras himself was credited with having devised the tetractys[13] and it was regarded as being of utmost holiness.[13][14]Iamblichus, in his Life of Pythagoras, states that the tetractys was "so admirable, and so divinised by those who understood [it]," that Pythagoras's students would swear oaths by it.[15][14][13]
Long used as symbol for Sun gods, the crown became the symbol of the divine status of the Roman Emperor, identified with Sol Invictus, around the 2nd century CE. The concept gave rise to the royal crowns familiar throughout the European Middle Ages.
The Sigil of Baphomet is the official insignium of LaVeyan Satanism and the Church of Satan. The Sigil was derived from an older symbol that appeared in the 1897 book "La Clef de la Magie Noire". This symbol was for a time used by the Church of Satan during its formative years. During the writing of The Satanic Bible, it was decided that a unique version of the symbol should be rendered to be identified exclusively with the Church of Satan. The complete graphic now known as the Sigil of Baphomet, named such for the first time in Anton LaVey's The Satanic Rituals, first appeared on the cover of The Satanic Mass LP in 1968 and later on the cover of The Satanic Bible in 1969.[16] The symbol is copyrighted by the Church.[17]
A traditional Japanese gate most commonly found at the entrance of or within a Shinto shrine,[18] where it symbolically marks the transition from the profane to sacred; two uprights and two crossbars denoting the separation. Their first appearance in Japan can be reliably pinpointed to at least the mid-Heian period. However, the idea of having a single Shinto symbol is foreign to most Japanese people.[18] Only non-Shintoist Westerners perceive Torii as a symbol of the religion, possibly as a result of analogizing the relationships between Torii and Shinto from that of the Cross and Christianity. Generally speaking, Japanese people associated with Shinto do not treat Torii as a religious symbol, but rather as a gate that symbolizes the entrance to a sacred realm. However, the symbol can be used to indicate the location of Shinto shrines in Japanese maps.
The modern "yin and yang symbol" develops into its current shape in the 17th century, based on earlier (Song era) diagrams. It is occasionally used as representing Taoism in Western literature by the late 19th century.
In Aleister Crowley's Thelema, the hexagram is usually depicted with a five-petalled flower in the centre which symbolizes a pentacle. The symbol itself is the equivalent of the ancient EgyptianAnkh, or the Rosicrucian's Rosy Cross; which represents the microcosmic forces (the pentacle, representation of the pentagram with five elements, the Pentagrammaton, YHSVH or Yahshuah) interweave with the macro-cosmic forces (the hexagram, the representation of the planetary or heavenly cosmic forces, the divine).
Originates as a logo drawn for the Unitarian Universalist Service Committee in 1940; adapted to represent Unitarian Universalism in 1962; recognized by the US Department for Veteran Affairs in 2006.
Swastika comes from Sanskrit (Devanagari: स्वस्तिक), and denotes "conducive to well being or auspicious". In Hinduism, the clockwise symbol is called swastika symbolizing surya (sun), prosperity, and good luck, while the counterclockwise symbol is called sauvastika symbolizing night or tantric aspects of Kali. In Jainism, a swastika is the symbol for Suparshvanatha – the 7th of 24 Tirthankaras (spiritual teachers and saviours), while in Buddhism it symbolizes the auspicious footprints of the Buddha.
The pentacle or pentagram has a long history as a symbol used in alchemy and western occultism; it was adopted as a symbol in Wicca in c. the 1960s. There was a campaign to recognize it as a symbol representing Wicca as a religion on US veteran headstones since the late 1990s, and the symbol was recognized for use on such headstones in 2007.[19]
The symbol is currently thought to represent a Fravashi (approximately a guardian angel). It is regarded as a national icon in Iran, as well as a symbol among Zoroastrians.[20][21][22] There are various interpretations of what the faravahar symbolizes, and there is no universal consensus except to note that it does not represent the fravashi.[23][24] It symbolizes good thoughts, good words, and good deeds - the basic tenets and principles of Zoroastrianism.
Religious symbolism
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In some African Indigenous religions, there are graphical and pictorial symbols representing the actual religion or faith just like the Abrahamic faith. Each indigenous religion however, has symbolisms which are religious or spiritual in nature. Some of these may be graphical, numerological (as in Serer numerology - see Serer creation myth) or a combination of both. However, these graphical images represent the actual religion practice and elements within the faith.
The Ìṣẹ̀ṣe religion of the yoruba people indigenous religion as an example has it graphical and pictorial symbol representing the religion, the symbol explained the philosophical concept of the four cardinal point of the earth.
The very nature of African art stem from "their themes of symbolism, functionalism and utilitarianism" hence why African art is multi-functional. In the African Indigenous belief system, Africans draw from their various artistic traditions as sources of inspiration.[citation needed]
Yoonir is a religious symbolism in the traditional faith of the Serer people. It symbolizes the universe as well as the Serer people. In the Serer worldview, it represents good fortune and destiny and was used by Serer illiterates to sign their names. The peak of the star represents the Deity Roog. The other four points represent the cardinal points of the Universe. The crossing of the lines pinpoints the axis of the Universe, that all energies pass. The top point is "the point of departure and conclusion, the origin and the end".[26][27]
The mbot is the symbol of the Ndut rite of passage (a circumcision rite) that every Serer male must go through. The female equivalent is Ndom (the tattooing of the gums). It is in Ndut classical teachings where Serer boys get to learn about themselves, the importance of teamwork, good citizenship and the secrets and mysteries of the universe.[28][29]
The Symbol of Ìṣẹ̀ṣe - Yorùbá indigenous Religion explained the Philosophical concept of the Four Cardinal Points (Igun Mẹ́rin Ayé) and its cosmological meanings as it was arranged and explained by Ọ̀rúnmìlà Baraà mi Àgbọnnìrègún through IFÁ - the esoteric language of OLÓDÙMARÈ, and which is the Centrality of the Existence of Humanity, Divinity, and the Cosmos.
^Schmermund, Elizabeth (2017). Lebanon: Cultures of the World (Third ed.). Cavendish Square Publishing, LLC. p. 87. ISBN9781502626127. While the Druze do not permit iconography in their religion, they have a religious symbol known as the Druze Star
^J.Stewart, Dona (2008). The Middle East Today: Political, Geographical and Cultural Perspectives. Routledge. ISBN9781135980788. The Druze symbol is a fivecolored star, witheach color representing cosmic principles believedbythe Druze
^Madiya, Clémentine Faïk-Nzuji, Canadian Museum of Civilization, Canadian Centre for Folk Culture Studies, International Centre for African Language, Literature and Tradition, (Louvain, Belgium), p. 27, 155, ISBN0-660-15965-1
^Gravrand, Henry, La civilisation sereer, vol. II : Pangool, Nouvelles éditions africaines, Dakar (1990), p. 20-21, ISBN2-7236-1055-1
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