The Washington Family

The Washington Family by Edward Savage is a life-sized group portrait of the Washington family, including U.S. President George Washington, First Lady Martha Washington, two of her grandchildren and a black servant, most likely an enslaved man whose identity was not recorded.^[1]^[2] The National Gallery of Art in Washington, D.C., presently displays the large painting (7 feet (2.1 m) x 9.3 feet (2.8 m)).^[3]

Production

Based on life studies made early in Washington's presidency, Savage began work on the oil painting in New York City during 1789–1790 and later completed it in Philadelphia during 1795–1796.^[4] Prints were mass-produced by Savage beginning in 1798, and by John Sartain in 1840.^[5] The Library of Congress holds in its collections a print of a color engraving that Savage and Robert Wilkinson published in London in 1798.^[6]

The image was a famous one in the 19th century. Washington himself ordered four prints of Savage's engraving, hanging one in the family dining room at Mount Vernon.^[7]^[8]

Interpretations

The northerly direction to the left to which a magnetic compass on the base of a globe points and topographical details of the view indicate that the family is on the west bank of the Potomac River at Mount Vernon, occupying an idealized rendering of the portico that Washington designed for the house.^[1] Shown are Martha's grandson George Washington Parke Custis (called "Wash" or "Washy"), George Washington, Martha's granddaughter Eleanor Parke Custis (called "Nelly"), Martha and a black servant of uncertain identity (perhaps the enslaved Christopher Sheels, William (Billy) Lee or Austin).^[1]^[8]^[9]

With a plan of the future city of Washington^[10] in front of her, Martha Washington is, according to Savage's catalogue, "pointing with her fan to the grand avenue".^[1]^[8] Some descriptions of the painting state that the "grand avenue" is Pennsylvania Avenue.^[1]^[11] However, the broadest and most prominent "grand avenue" that the city plan illustrates has actually become the National Mall (see: L'Enfant Plan).^[12]

Holding a caliper, young George's right hand rests near the top of the globe, which lacks geographical markings. A museum's description interprets this portion of the scene as representing American hopes for rising global significance.^[13]

A researcher has found that the perspective of the painting terminates at George Washington's heart.^[14]

An oil painting by Peter Waddell entitled A Vision Unfolds debuted in 2005 within an exhibition on Freemasonry that the Octagon House's museum in Washington, D.C., was hosting. The painting was again displayed in 2007, 2009, 2010 and 2011, first in the Joslyn Art Museum in Omaha, Nebraska and later in the National Heritage Museum in Lexington, Massachusetts and in the Scottish Rite Center of the District of Columbia in Washington, D.C. Containing elements present in The Washington Family, Waddell's history painting depicts a meeting that is taking place within an elaborate surveying tent. In the imaginary scene, African American surveyor-astronomer Benjamin Banneker presents a map of the Territory of Columbia (see: Founding of Washington, D.C.) to President Washington and surveyor Andrew Ellicott.^[15]

Notes

^ ^a ^b ^c ^d ^e Manca, Joseph (Fall 2011). "A Theology of Architecture: Edward Savage's Portrait of George Washington and his Family". Source: Notes in the History of Art. 31 (1). Chicago: The University of Chicago Press Journals: 29–36. doi:10.1086/sou.31.1.23208548. JSTOR 23208548. S2CID 192621881. Retrieved August 28, 2017.
^ Howard, Hugh (2009). Chapter 7: "The Washington Family". New York: Bloomsbury Press. pp. 138–156. ISBN 9781596912441. LCCN 2008028228. OCLC 233591858. Retrieved August 28, 2017 – via Google Books. {{cite book}}: |work= ignored (help)
^ Savage, Edward. "The Washington Family 1789-1796". Retrieved October 23, 2018.
^ Savage lived in London, 1791–94, and did not resume work on the painting until after his return to the United States.
^ "The Washington Family" (PDF). The New York Times. December 30, 1892.
^ "The Washington family — George Washington, his lady, and her two grandchildren by the name of Custis / painted & engraved by E. Savage". Library of Congress. 1798. Retrieved August 28, 2017. Summary: George Washington, Martha Washington, and her two grandchildren, around table on which there is a map, and an African American servant, William Lee, in background. Full size image of engraving Archived August 28, 2017, at the Wayback Machine.
^ (1) "Edward Savage". Digital Encyclopedia. Mount Vernon, Virginia: George Washington's Mount Vernon. 2017. Archived from the original on March 20, 2016. Retrieved August 28, 2017. Upon his return to the United States in 1794, Savage married Sarah Seaver, completed his group portrait of the Washingtons, and immediately set to work exhibiting and engraving the large-scale painting. Washington himself ordered four copies, hanging one in the family dining room at Mount Vernon.
(2) "Edward Savage, The Washington Family, engraving after the original, c. 1789-1790". Martha Washington: A Life. Archived from the original on August 30, 2017. Retrieved August 30, 2017. Edward Savage's iconic portrait of the Washington Family was originally painted c. 1789-1790. George Washington purchased two engravings of the painting to display at Mount Vernon (one of which is pictured here). It portrays George and Martha Washington, two of Martha's grandchildren, George Washington Parke Custis and Eleanor Parke Custis, and George's body servant, a black slave named William "Billy" Lee (image courtesy of Mount Vernon Ladies' Association). Full size image of engraving Archived August 30, 2017, at the Wayback Machine.
^ ^a ^b ^c "Description". The Washington Family. Winston-Salem, North Carolina: Reynolda House Museum of American Art, Wake Forest University. Archived from the original on August 28, 2017. Retrieved August 28, 2017.
^ "Enslaved Persons of African Descent in the President's House". The President's House in Philadelphia. Philadelphia, Pennsylvania: Independence Hall Association (US history.org). 2017. Archived from the original on August 28, 2017. Retrieved August 28, 2017.
^ L'Enfant, Peter Charles; Library of Congress (1991). "Plan of the city intended for the permanent seat of the government of t[he] United States: projected agreeable to the direction of the President of the United States, in pursuance of an act of Congress, passed on the sixteenth day of July, MDCCXC, "establishing the permanent seat on the bank of the Potowmac"". Facsimile: Computer-assisted reproduction of Pierre Charles L'Enfant's 1791 manuscript plan for the city of Washington, produced by the U.S. Geological Survey for the Library of Congress. Washington, D.C.: Library of Congress. LCCN 97683585. Retrieved March 5, 2017. Published by the Library of Congress in 1991 with support from the National Geographic Society, the U.S. Geological Survey, and the National Park Service. In Repository of the Library of Congress Geography and Map Division, Washington, D.C.
^ Savage, Edward. "The Washington Family 1789-1796". Washington, D.C.: National Gallery of Art. Archived from the original on September 14, 2016. Retrieved October 24, 2016..
^ (1) Pfanz, Donald C. (February 11, 1981). "National Register of Historic Places Inventory Nomination Form: National Mall". National Park Service. Retrieved March 17, 2010.
(2) Hanlon, Mary. "The Mall: The Grand Avenue, The Government, and The People". University of Virginia. Retrieved May 5, 2010.
(3) "The 1791 L'Enfant Plan and the Mall". National Mall History. National Mall Coalition. 2015. Archived from the original on October 1, 2015. Retrieved March 6, 2017. L'Enfant planned the Mall as a 400-foot wide Grand Avenue (shown in green in the plan at right), extending from the Capitol westward to the Washington Monument (marked "A" in the plan) at the banks of the Potomac River where it intersected the White House axis (marked "President's House" in the plan)
(4) "Map 1: The L'Enfant Plan for Washington". National Park Service. Archived from the original on January 21, 2009. Retrieved October 27, 2009. Note: L'Enfant's key to the federal city's plan states that "H" is the "Grand Avenue, 400 feet in breadth, and about a mile in length, ....". This feature is now the National Mall.
(5) Glazer, Nathan; Field, Cynthia R., eds. (2008). A Chronology of the Mall. Baltimore, Maryland: The Johns Hopkins University Press. p. 179. ISBN 978-0-8018-8805-2. OCLC 166273738. Retrieved January 2, 2015 – via Google Books. {{cite book}}: |work= ignored (help)
^ "Description". The Washington Family. Winston-Salem, North Carolina: Reynolda House Museum of American Art, Wake Forest University. Archived from the original on August 28, 2017. Retrieved August 28, 2017. The boy stands to his right, dressed in a fine suit with a wide starched collar. His hand rests on a globe, representing American hopes for rising global significance.
^ George Washington Inn (March 11, 2009). "The Washington Family". Mount Vernon, Virginia: George Washington Inn and Estate. Archived from the original on August 30, 2017. Retrieved August 30, 2017.
^ (1) "A Vision Unfolds". Exhibitions: The Initiated Eye: Secrets, Symbols, Freemasonry and the Architecture of Washington, DC. Peter Waddell.com. Archived from the original on January 9, 2012. Retrieved October 22, 2016. A Vision Unfolds: 36" × 48", oil on canvas
(2) "Biography". Peter Waddell. Peter Waddell.com. Archived from the original on January 9, 2012. Retrieved October 22, 2016. Exhibitions: ... 2005: The Initiated Eye: Secrets, Symbols, Freemasonry and the Architecture of Washington DC. The Octagon Museum, Washington, D.C.
(3) "Masonic Art Exhibit Opens at the Octagon". The Scottish Rite Journal of Freemasonry: Southern Jurisdiction, U.S.A.: Current Interest: July–August 2005. Washington, D.C. Archived from the original on October 24, 2016. Retrieved October 23, 2016. Tuesday, May 17, was the grand opening of the Octagon Museum's phenomenal exhibit, "The Initiated Eye: Secrets, Symbols, Freemasonry, and the Architecture of Washington, D.C." Twenty-one paintings by Peter Waddell showcased the little-recognized contribution of Freemasons to the design and architecture of our nation's capital.
(4) "The Initiated Eye: Secrets, Symbols, Freemasonry and the Architecture of Washington, DC". ArtMagick. 2007. Archived from the original on October 5, 2007. Retrieved December 2, 2016. The Initiated Eye: Secrets, Symbols, Freemasonry and the Architecture of Washington, DC, with Paintings by Peter Waddell, features 21 paintings by Waddell, a contemporary history painter, illustrates the Masonic connection to the building of early-19th century Washington. Exhibition Locations and Dates: USA, Nebraska, Omaha, Joslyn Art Museum: April 28, 2007 - June 10, 2007
(5) "Benjamin Banneker". The Initiated Eye: Freemasonry and the Architecture of Washington, D.C. (exhibition). Lexington, Massachusetts: National Heritage Museum. December 17, 2009. Archived from the original on February 26, 2010. Retrieved October 22, 2016. The Initiated Eye" presents 21 oil paintings by Peter Waddell based on the architecture of Washington, D.C., and the role that our founding fathers and prominent citizens – many of whom were Freemasons – played in establishing the layout and design of the city. ... The painting shown here depicts a meeting between President George Washington (1732–1799) and surveyors Andrew Ellicott (1754–1820) and Benjamin Banneker (1731–1806). Congress designated the location of the new capital on January 24, 1791. Elliott and Banneker surveyed the ten-mile-square tract of land and produced a base map of the area. ... The Initiated Eye" opens December 19, 2009 and will be on view through January 9, 2011.
(6) "A Vision Unfolds". The Initiated Eye: Panel 1. Washington, D.C.: The Grand Lodge of Free And Accepted Masons of the District of Columbia. 2013. Archived from the original on October 23, 2016. Retrieved December 2, 2016. A Vision Unfolds - Congress designated the location of the new Capitol on January 24, 1791. It was a ten-mile square parcel of land along the Potomac and Eastern Branch Rivers. Andrew Ellicott and Benjamin Banneker surveyed the tract of land and produced the base map. Banneker, a self taught African American surveyor and astronomer, plotted the locations of the forty boundary stones one mile apart along the entire perimeter. Note: Panel 1 contains a high-resolution image of A Vision Unfolds.
(7) "Grand Lodge History & The Initiated Eye Painting Exhibit". Washington, D.C.: The Grand Lodge of Free and Accepted Masons of the District of Columbia. October 26, 2011. Archived from the original on October 23, 2016. Retrieved October 23, 2016. Illustrious Leonard Proden, 33˚, S.G.I.G. of the Supreme Council in D.C and Past Grand Master of Masons in D.C is pleased to announce that the Valley of Washington, Orient of the District of Columbia, will celebrate the 200th Anniversary of the founding of the Grand Lodge of Free and Accepted Masons of the District of Columbia on Tuesday, November 15, 2011. All brethren, their family, and friends are invited to participate in this festive evening which will include: ... A special viewing of "The Initiated Eye", the heralded collection of D.C. Masonic-themed paintings, on exhibition in Washington, D.C. again for the first time in over five years. The artist, Peter Waddell, will be on hand to present his latest addition to the collection, a celebratory painting commemorating the Bicentennial of the Grand Lodge of D.C.
(8) Ellicott, Andrew (1793). "Territory of Columbia". Maps. Library of Congress. Archived from the original on October 11, 2016. Retrieved October 22, 2016. Notes: ... Accompanied by positive and negative photocopies of 3 letters dated 1793 relating to the map, 1 of which signed by: And'w Ellicott..

External links

National Gallery of Art (May 30, 2014). "The Washington Family, 1789–1796, Edward Savage" (video). Archived from the original on December 15, 2021. Retrieved August 30, 2017 – via YouTube.