Originally designed by Filipino architect Juan M. Arellano using French Neoclassical architecture, the first incarnation of the bridge features three arches resting on two heavy piers, adorned by faux-stone and concrete ornaments, as well as four sculptures on concrete plinths allegorically representing motherhood and nationhood. The original bridge was destroyed during World War II by retreating Japanese troops and was reconstructed in 1946 by the U.S. and Philippine public works. The reconstructed bridge retained the three arches and two piers but removed all the ornaments. The bridge was first partially restored in 1998. In 2019, the City Government of Manila began a rehabilitation project to "restore" the Jones Bridge to its near-original design using Beaux-Arts architecture similar to that of Pont Alexandre III in Paris and the return of the three extant La Madre Filipina sculptures (the 4th requiring reconstruction).
History
First Jones Bridge (1919–1945)
The Jones Bridge was originally commissioned under the auspices of the City Government of Manila in 1919, before the Insular Government, through the Philippine Bureau of Public Works, later took over in finishing the bridge's construction in 1920.[5] The bridge was intended to replace the Puente de España (Bridge of Spain), the first bridge built to cross the Pasig River constructed during the Spanish colonial era and the last incarnation of bridges that span the same location since 1630. It collapsed during the heavy rains of September 1914 that weakened the central pier, resulting in the middle span of the bridge collapsing. The Puente, located one block upstream at Calle Nueva (now E.T. Yuchengco Street), was temporarily kept open using a temporary truss bridge as the new bridge was being constructed at Quintin Paredes Street.[5]
The construction of new bridges was part of a master plan of Manila Daniel Burnham, who wanted to emphasize the city's rivers and liken them to the Seine River in Paris and the canals of Venice.[5] This plan was heavily implemented and supervised by William E. Parsons. However, upon the passage of the Jones Act, Filipino architect Juan M. Arellano took over and finished the bridge's final design. Jones died in 1918 while the bridge was still being planned, and the Filipinos named the passageway after the lawmaker behind the law that gave the country autonomy from the United States.[5]
Arellano designed the bridge in the style of the passageways constructed during Haussmann's renovation of Paris.[5] He embellished the piers with statues of boys on dolphins, similar to those on the Pont Alexandre III at the Seine (which he had previously visited).[5] Like the Parisian Pont, he marked both ends of the bridge with four plinths. Arellano commissioned a sculptor named Martinez to build four statues called La Madre Filipina (The Philippine Motherland), which would be placed on the pedestals.[5]
Gallery of the Jones Bridge at the end of World War II
The Jones Bridge and its surrounding buildings destroyed following the Liberation of Manila
Aerial view of the temporary Bailey bridge and Ermita
1947 reconstruction of Jones Bridge
Second Jones Bridge (1946–present)
Post-war reconstruction
Following the passage of the Philippine Rehabilitation Act of 1945, the Philippine Bureau of Public Works and the U.S. Bureau of Public Roads reconstructed the Jones and Quezon bridges using large and deep steel girders.[5][8] Upon its completion, none of its original ornamentation on either piers or balustrades was restored, and its neoclassical aesthetic was replaced with unadorned architecture in an urgent haste to finish its reconstruction.[5] The three remaining La Madre Filipina statues were also removed, and its plinths were demolished. One was relocated within Rizal Park, while the other two were relocated to the entrance of the Court of Appeals Main Building.
1998 restoration
In 1998, in celebration of the Philippine Centennial Independence, the bridge was partially restored by architect Conrad Onglao, who was commissioned by then-First Lady Amelita Ramos. Stone balustrades replaced the post-modern steel design.[5] During the time of Manila Mayor Lito Atienza, the steel girders were lighted and thematic lamp posts were added onto the bridge, which drew mixed reactions. Two fu dogs were also added at the base of the bridge's south side, which gave it a Chinese character as opposed to its original neoclassical design.
2019 redevelopment
In 2019, Manila Mayor Isko Moreno announced plans to "restore" the Jones Bridge to its near-original architecture, including the return of the three surviving sculptures that had previously guarded the bridge, using the ₱20 million donated towards the project.[9][10] The fourth sculpture destroyed by the war was replicated using the archives of the pre-war Jones Bridge in the National Library of the Philippines.[10] Moreno commissioned Jose Acuzar, owner of Las Casas Filipinas de Acuzar, to design and build Beaux-Arts-styled lamp posts similar to those on Pont Alexandre III. The four plinths for the La Madre Filipina statues were reconstructed, which would act as the pedestal for the returning sculptures.[10][11] Retrofitting and repair works were also done on the steel girders of the bridge.
The statues of Gratitude and Democracy were reinstated at the bridge on November 22. Jones Bridge was inaugurated on November 24, 2019, and was formally opened to the public. However, the remaining statues of La Madre Filipina located at the grounds of the Court of Appeals were deemed too fragile to be moved for relocation to their original spots. They were instead replicated and reinstated at their original locations in June 2021.
Sculptures
The four statues guarding the bridge are called La Madre Filipina (The Philippine Motherland). Three were spared from the war but relocated. The fourth one was destroyed, and it was replicated in the 2019 redevelopment. Each statue symbolizes a different aspect of nationhood since the Philippines was transitioning from being a colony of the United States to gaining its independence at the time.
Gratitude: Located on the southeast corner of the bridge, this sculpture was transferred to Rizal Park after World War II and reinstated in its original location after 74 years. While on display at the park, it was prominently called La Madre Filipina.
Democracy: Destroyed during the Battle of Manila in 1945. It was replicated in 2019 using archives provided by the National Library of the Philippines and installed at the southwest corner of the bridge where the former statue once stood.
Progress: Located on the northwest corner of the bridge, it symbolizes labor, education and power. A replica of the original statue was installed in June 2021, together with Justice. The original one, located on the grounds of the Court of Appeals, was deemed too fragile to be relocated.
Justice: Located on the northeast corner of the bridge, it symbolizes law and order and equality under the law. A replica of the original statue was installed in June 2021, together with Progress. The original one, located on the grounds of the Court of Appeals, was deemed too fragile to be relocated.
In 1989, the bridge was the location of an ambush in which P2 million in cash was stolen, and two policemen were killed.[15]
In 2012, the Philippine Coast Guard issued a ban on swimming along the Pasig River after three floating bodies were discovered within the vicinity of the bridge.[16]
The 2007 Filipino film The Promise has a scene in which Daniel (Richard Gutierrez) is tasked with assassinating someone underneath the bridge's tunnel. Although he was unable to do it, he sets the man free afterwards.